“An Early Autumn Light that Unburies You” by Steven Pan

Bird Ascending the Fire by Barbara Hageman Sarvis, painting in oranges and purples of a bird flying over a woodland lake

Image: “Bird Ascending the Fire” by Barbara Hageman Sarvis. “An Early Autumn Light that Unburies You” was written by Steven Pan for Rattle’s Ekphrastic Challenge, May 2024, and selected as the Editor’s Choice.

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Steven Pan

AN EARLY AUTUMN LIGHT THAT UNBURIES YOU

On earth, everything no longer
here is here in some variation
 
of light. An ice age
half-gone, all geography
 
shaved off youngest to oldest:
craters and lakes telling time
 
in reverse. Someday we’ll end
up there, you used to say,
 
pointing to the sun setting
over the strand. The season
 
and the leaves, starting
over again in a dream
 
with everything that lived
before this. Is it strange,
 
how a hurt that looked back
at you, looks like all of you
 
in the amber slowness
before evening. The detour
 
of your shadow
somewhere, casting a hook
 
over the water, perception
as imprecise as memory
 
or the autumn lingering
inside of it. Any year
 
straying no further
than the line of a robin’s
 
wings, the slight lean
of the trees that said life
 
held on. If I could call
you back, would this shore
 
be the one you’d wait on? How often
I mistake the sound of the wind
 
for the sound of your answer.
Your answer for a goodbye said
 
aloud. Goodbye for a matter
of time, or maybe a matter
 
of timing. Like a bird caught
mid-flight in the light
 
of the sky, brimming with everything
and nothing at once.
 

from Ekphrastic Challenge
May 2024, Editor’s Choice

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Comment from the editor, Megan O’Reilly: “There are many aspects of ‘An Early Autumn Light that Unburies You’ that left an impression, from its smooth flow and musicality to its depth of meaning, but what stands out most, perhaps, is the way it’s peppered with gorgeous and brilliant turns of phrase–so many the effect could be overwhelming in the hands of a less adept poet. In the very same sentence, we find ‘The detour / of your shadow,’ ‘perception / as imprecise as memory’ (a stunningly insightful description), and ‘the autumn lingering / inside of it.’ One could read these lines many times and still be taken by the beauty and profundity of the poet’s language. When I first saw this image, I thought such a dramatic and striking piece of art would be challenging to match. I can’t imagine a better partner than this poem.”

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