Nathaniel Whittemore
DEATH AND TACOS
Waiting in line at a taco stand for my number to be called
I started talking to a six-year-old kid kicking his little foot against
A curb and waiting for his dad to come out of the bathroom.
And he said, “Why do you cough so much?”
And I said, “Because I have cancer.”
And he said, “Bummer.”
And I said, “Yep.”
And he said, “Does it hurt?”
And I said, “Only when I breathe.”
And he said, “Why don’t you hold your breath?”
And I puffed out my cheeks like Lois Armstrong and
Let him see it and held it for as long as I could
Before exploding into a hacking eruption of
Stupid sounds and saliva.
And he laughed.
And I coughed and laughed.
And he said, “Feel better?”
And I said, “A bit.”
And I showed him how much better with my
Thumb and index finger. And pointed at a green thread
of mucous that had dribbled out onto my chin
He said, “Gross.” And wiping it off
I said, “Yep.”
And he said, “My granddaddy had cancer before he died on the hospital.”
And I said, “You mean in the hospital?”
And he said, “Yeah on the hospital.”
And I said, “Oh, yeah?”
And he said, “He used to give me candy all of the times I ever saw him.”
And I said, “Sorry kid, I don’t have any candy.”
And, deflated, he said, “Are you gonna die on the hospital?”
And I said, “You mean in the hospital?”
And he said, “Yea, are you gonna die on the hospital?”
And I said, “Probably.”
And he said, “OK.”
And, upon giving that gracious consent, the boy’s dad came out and
The boy said, “Well, bye!” And I said, “See ya.”
And he ran off.
And, for a while, between the two of us,
Dying became so very ordinary, like candy or tacos or semantics,
And death itself suddenly just this obnoxious third-wheel
A pitiful nuisance with nothing better to do with his time
Than to tag along with me and this six-year-old kid.
And I sat smiling in the sun and imagining death at the moment,
A sad sack of lonely-self slumped somewhere in the distance,
As I waited for my number to come up.
–from Rattle #29, Summer 2008
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March 7th, 2009 at 8:59 am
This is such a strong poem, but I think it’d stand to improve by being less direct with the words “And, for a while, between the two of us,
Dying became so very ordinary,”.
i think you’re overstating your meaning, and the other parts are subtle but well crafted, they can do without this statement and still be understood that way.
great read though, ending was nice
March 7th, 2009 at 9:44 am
I like the above mentioned line. I think it lends a strong sense of honesty and causual-ness to the poem
March 7th, 2009 at 11:12 am
I love this poem. I like you how didn’t edge around the words but stated them, to me it seemed to add to the effect of what you are portraying.
Beautiful. This is one of my favorites.
March 7th, 2009 at 11:23 am
First: great title.
The poem itself is very powerful. I enjoy the dialogue between the speaker and the kid.
March 7th, 2009 at 11:42 am
this is very good.
and laura, don’t be so liberal with your suggestions.
March 7th, 2009 at 11:43 am
I disagree Laura…how else but to just say certain things. Death is not considered ordinary in our culture. Quite the opposite, death is considered outside of the ordinary. Read it out loud. Take out the sentences you question, you will see that it lacks the punch and the “gift” the Whittemore is trying to impart. I find this is beautiful and perfect. I find nothing to improve upon. I do find a compulsion to share thanks and gratefulness with Mr. Whittemore. Well done! Beautifully written…gift received! Thank you.
March 7th, 2009 at 1:08 pm
Dutch,
I think Laura’s critique is important, it’s much more useful to a write than “this is very good” which helps a writer go almost nowhere in their development. Even if Laura is completely wrong (which she may very well be, in my opinion) it still gets the writer thinking, and that helps out more than a pat on the back.
March 7th, 2009 at 3:01 pm
I also disagree with Laura. I feel that those words “for a while, between the two of us, etc.” give the poem a most dramatic pause. A moment to reflect on what just happened in the poem. Well done!
March 7th, 2009 at 3:10 pm
A failed attempt at a meaningful story. At first glance you might think this is ‘deep’ or ‘moving’ but summing this little disaster up with ‘And I sat smiling in the sun and imagining death at the moment’ is just horribly cliche. I’m wondering why I even took the time out of my life to write this. I’m hoping that people can take constructive criticism and not throw a bitch fit, but that’s hardly ever true.
March 7th, 2009 at 5:52 pm
I found that I really did like this poem. Death is ordinary. And that is how people should view it. Perhaps those two lines were drawn out for too long, but the point behind it was almost enlightening.
This was a good read. I’d recommend it to anyone.
March 7th, 2009 at 6:44 pm
1st decent ‘poem’ that I’ve seen in a long time. To the point, reality and no mincing of words.
March 7th, 2009 at 10:31 pm
I think this poem is beautiful. However, I think that by removing the lines
“And, for a while, between the two of us,
Dying became so very ordinary, like candy or tacos or semantics,
And death itself suddenly just this obnoxious third-wheel
A pitiful nuisance with nothing better to do with his time
Than to tag along with me and this six-year-old kid.” the poem becomes a lot more powerful and striking.
March 8th, 2009 at 8:32 am
Death and tacos really a great poetry , mean to sense a new world of eternity
March 8th, 2009 at 2:13 pm
wow, i really enjoyed that, the contrast between death and live and the innocence the boy shows, well written.
March 8th, 2009 at 3:40 pm
I do very much like this poem, reminds us that we are still alive in the world even as we might be suffering from a horrid disease…the world does not feel out pain or know from seeing us what it is that screws with our reality….
But…
I can see why AmethystSoul suggests those few lines to be dropped, up until then you are allowing the story to be told through conversation, with a sentence here and there..then it seems you state the obvious which the reader has already figured out.
these lines are good perhaps worked in to the end after And he ran off.
And I sat smiling in the sun and imagining death at the moment,
A sad sack of lonely-self slumped somewhere in the distance,
As I waited for my number to come up.
March 8th, 2009 at 6:43 pm
I actually think that having the lines just stated helped the poem a lot. Life is blunt. Oh, and to someone, you can’t consider it constructive criticism if you put so many insults in it such as “I wonder why I took the time to write it”. It’s very unprofessional.
March 8th, 2009 at 10:59 pm
sixth line from the last line does not make any sense so i couldn’t enjoy it.
but i did so kudos
it was beautiful
but for real
make sense of that sentence for me otherwise i can’t make sense of the entire poem
March 9th, 2009 at 12:32 am
Hannah–
It’s a a syntax that isn’t used very often, and I’m not the kind of grammarian who can break down its parts of speech, but the line you’re confused about is a continuation of the line above it, each of them a clause using that verb “became.” So the line is really:
“And death itself suddenly [became] just this obnoxious third-wheel…”
Does that clear it up?
Tim
p.s. I’m assuming you’re just talking about how to read the line — the “death as third-wheel” metaphor is pretty straightforward, right? The process of dying seems natural and proper, and the dark mystery of death (the state of being dead already) is just an afterthought, out of place and in the way…
March 9th, 2009 at 4:46 am
I dont know what to say i really love it that is all i can say
March 9th, 2009 at 11:53 am
It has it’s meaning and it gets the point across, but nothing really stuck with me. It was too cliche.
March 10th, 2009 at 1:35 am
I love it.
In my opinion, everything that ever meant anything is now cliche.
So you either gotta suck it up and own the cliches and embrace them, renew them and keep them going, or you try too hard to forget about them.
It’s kind of like the poem. People try to forget about death, but death is a part of life.
March 10th, 2009 at 12:53 pm
I enjoyed this writing because I like the insite of chrildren. They see life from a very unique view point that is always refreshing for me
March 10th, 2009 at 6:18 pm
This was fantastic. I loved reading it, and I want to carry this poem around with me forever.
I wonder if the last bit, after “and he ran off,” is quite needed. In some ways the poem would seem so much more understated and profound without it, but there are some beautiful ideas going on there that I’d hate to see go away. Death as a third wheel is a great image, as is the double meaning of “waiting for my number to come up.” So I guess it’s really up to the poet (as always) whether those lines stay or go, because I’m not sure what would be best.
March 10th, 2009 at 6:49 pm
The appeal of this poem for me lies in the fact that it was written in such a way I forgot I was reading a poem and just became caught up in a moment. That’s the best for me. Impressive moments trump academics.
March 10th, 2009 at 8:15 pm
I really enjoyed it, thanks.
March 13th, 2009 at 1:47 pm
I think Everyone should always cover their mouth when they cough.
March 14th, 2009 at 4:17 am
laura stfu
March 14th, 2009 at 6:51 am
…and you other nay-sayers, who don’t have a fucking clue
March 14th, 2009 at 5:18 pm
Come on, folks. It’s art.
And either you like it or you don’t. But there’s no right way or wrong way – only the way the artist chose to do it.
So, if you liked part of it, it’s better than liking none of it. And if you liked none of it, you’ll browse on to the next one.
Why does everything on the internet boil down to a fucking argument?
March 20th, 2009 at 1:27 pm
Made me smile. Made me sad.
Made me think.
Thank you
March 27th, 2009 at 2:11 pm
beautiful, just like the poet. and oddly comforting . . . made death seem less like a “dirty trick,” and for that, thank you mr. whittemore.
June 24th, 2009 at 1:11 pm
my brother and i had the same conversation 2 weeks before he died. the only difference was i wasn’t waiting for my dad to come out of the restroom and i’m not 6. i was just thinking about when my number would be up-like a lottery… no one knows when cancer grows.
September 10th, 2009 at 4:55 pm
I have to disagree with many of you. While this takes a sensitive subject matter and does offer some commentary on death in society it is a poetic piece of prose at best. The evocation of emotion via poignant and new figures would do well to provide an emotional connection in the reader. That is, my criticism lies mainly in the fact that this “poem” fails to communicate emotive information in its adherence to starkly mediocre view of death – albeit an interesting suggestion as to how we may re-consider death as yet another mediocrity, one more banal feature of existence no more important than a taco and therefore warranting no more thought than the same.
September 22nd, 2009 at 7:37 am
…Perhaps, AG Jenkins, the lack of “emotive information” or “emotional connection” communicated with/to the reader was Mr. Whittemore’s intent. Clearly in this poem death and dying is not something the speaker wants the reader to become “emotional” about. No fear, no sadness, no wonder. He renders it a simple word and nothing more. We shouldn’t feel or fear for the man dying of cancer just as the little boy doesn’t, and just as the “dying man” himself – by the end of the poem – doesn’t seem to fear death but rather feels sorry for it having been stripped of its horrors and mysteries and turned into a casual conversation piece. Eat a taco in the sun and let this simple, natural process run its course & resolve itself spending as little emotional energy as possible on it. Stoic acceptance. It’s rare but it does happen.
January 27th, 2010 at 10:35 pm
The is the first thing I have read all the way through today. It kept my attention not like most of the writings I find on the internet. Bravo and keep on writing