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      October 27, 2015Curie in LoveErin Noteboom

      If a radioactive substance is placed in the dark in the vicinity of the closed eye or of the temple, a sensation of light fills the eye.
      —Marie Curie, doctoral dissertation, 1903

      The sensation of light
      is light. There is no way for her to know it.
      She is so young and so in love, marrying
      an equal, choosing for her gown a navy dress
      suitable for use in laboratories. Hand in hand
      they slip through the university courtyard—
      Pierre and Marie Curie, in the world before the war.
      One of our joys was to go into our workroom at night,
      she wrote. To perceive on all sides
      the feebly luminous silhouettes of the bottles
      and capsules of our work. That light
      marbles and embarnacles them both,
      turns their fingers strange and fibrous.
      Soon enough he cannot rise from bed.
      It was really a lovely sight and always new to us.
      She loses twenty pounds. Two pregnancies.
      There is no way for her to know that her light
      will soon paint gunsights and the dials of watches.
      That it is ticking through her body, his body,
      faster than time. What she has understood
      is astonishing enough: the atom, active.
      It is as if marbles were found to be breathing out.
      As if stones were found to speak.
      Sick and stumbling, Pierre is struck
      by a cart of military equipage. He passes untouched
      under the hooves of six horses. Untouched
      between the front wheels, between the turns
      of chance and miracle, before six tons
      and the back wheel open his skull
      and kill him instantly.
      Thus closes the deterministic world.
      Your coffin was closed and I could see you no more.
      I put my head against it.
      From the cold contact something like a calm
      or intuition came to me.
      She does not record him speaking.
      That light. She had no way of knowing
      it was ionizing radiation, entering the eye,
      lighting the eye gel the way a cooling pool is lit
      around a great reactor. Her hair was thick then,
      and thickly piled. Her fingers smooth.
      Her thighs like marble. She closes her eyes
      and raises the vial.

      from #49 - Fall 2015

      Erin Noteboom

      “I started university with a burning desire to study both poetry and physics. Sadly they make you pick, and I picked physics on the grounds that teaching myself about eigenvectors was kind of a tall order. I got all the way to a doctoral program before I realized I was wrong—it’s in poetry that I find my most startling equations. I write poetry and children’s fiction now, and work as a science writer.”