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      December 8, 2016Rattle, Issue 47, Page 8April Salzano

      My niece has scoliosis. I had just read the best poem of my life
      before my sister texted to tell me that. I was laughing out loud
      one minute, crying the next because the poem was so funny,
      because the poem was so sad. Having not seen it coming
      added to the effect. I am sure there is a name for that,
      it should be called the Carver effect, I always thought, but now
      I’ve decided that maybe it should be named after this guy I just read.
      I am not going to say his name because I feel like that would be stealing
      something from him, but there I was, laughing in the kitchen,
      and he punched me right in the face when nobody was
      looking like he was saying, here take this. My dad used to
      do that when we laughed too much. All I know of scoliosis is that
      it means a bending of the spine, a kind of comma-stance, a bit of a lean,
      like a semicolon for a lower body. My heart is broken. My son
      just got kicked out of public school for aggression and raging nudity.
      Someday it will be funny, I hope, like when we look back
      and picture him tearing his pants and underwear off in a rage,
      streaking down the hall all bare-assed and determined
      to escape the four-person floor restraint this one time,
      knowing they would never hold a naked kid down. Who would
      do that? Maybe he was just tired of the humming
      noise the florescent lights make, of trying to explain
      that specific pain mixed with hunger and deficit
      of language when using a picture schedule, of choice-boards
      with inadequate choices. And maybe we will laugh even harder
      when we think of the administration thinking
      that a nine-year-old autistic boy could intend to choke
      his teacher until she nearly fainted, that he could mean anything
      sexual by disrobing, as they called it in the report they sent home,
      and would have called it in the police report they didn’t file.
      They could have pressed charges, they reminded me,
      as they drew up paperwork for alternate placement
      while I waited at home, curved like a full
      set of parenthesis around the naked body of my boy,
      telling him in whispers that everything was going to be okay,
      my face aching from laughter, my eyes stinging from pain.

      from Turn Left Before Morning

      April Salzano lives with her husband and two sons in rural Pennsylvania