Photograph by Timothy Green

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Summer 2007

RATTLE
Tribute to Slam

 

Releasing June 2007, issue #27 honors the 21st birthday of slam poetry. In addition to the usual 80 pages of open poetry, the issue features 20 slam poems, and a full-length audio CD of those poems performed. Performers include many slam legends and rising stars. The National Poetry Slam has crowned an individual champion for 16 years, and winners from 11 of those years are featured in this issue.

Also in the issue, Alan Fox interviews slam poetry founder Marc Kelly Smith, and four-time slam champion Patricia Smith. Contributing editor Susan B.A. Somers-Willett provides an in-depth introduction for those not familiar with the genre.

This is an issue not to be missed, and despite the full-length CD, the cover price remains the same -- just $10.00 USD. Order your copy today!

 

(Now being added online!)

SLAM POETRY BY

Roger Bonair-Agard • Grace Bruenderman • Kevin Coval
Katie F-S • Regie Gibson • Carlos Andres Gomez
Marlon O. Carey/Inphynit • Alvin Lau • Taylor Mali
Jack McCarthy • Karyna McGlynn • Anis Mojgani
Sam Pierstorff • Jeremy Richards • Thadra Sheridan
Marc Kelly Smith • Patricia Smith • Buddy Wakefield

 

PAGE POETRY BY

Sally Albiso • John Amen • Shannon Amidon • Caleb Barber
Michelle Bitting • Laurie Blauner • Katherine Bode-Lang • Trina Burke
Antonia Clark • Barbara Crooker • Nika Cruz • Todd Davis
Kristen Dewald • Marco A. Dominguez • Derek Economy
Chris Featherman • Brent Fisk • Alan Fox • Cassandra Glickman
Christopher Goodrich • Sam Hamill • Peter Harris • Elizabeth Hoover
Luisa A. Igloria • D.R. James • Mark Evan Johnston
David Kelly-Hedrick • Krista Klanderman • John Laue • Gary Lemons
Joanne Lowery • David T. Manning • Joy Maulitz • Amy Miller
Michael Miller • Gabrielle Mittelbach • Greg Moglia
Natasha Kochicheril Moni • Hannah Faith Notess • Jennifer Perrine
Anne Pitkin • Tim Poland • Doug Ramspeck • Susan Rich
Liz Robbins • Jason Schossler • Wanda Schubmehl • Prartho Sereno
Michael Schorb • Lisa L. Siedlarz • J. Arron Small • Patricia Smith
Gyorgy Faludy • A.C. Speyer • Mark Terrill • Nancy J. Thompson
Rachel Webster • Douglas Woody Woodsum • Bonnie Young
Maya Jewell Zeller

 

  Answers to FAQs, by Poetry Slam, Inc.:

· What is poetry slam?

Simply put, poetry slam is the competitive art of performance poetry. It puts a dual emphasis on writing and performance, encouraging poets to focus on what they're saying and how they're saying it.

· What is a poetry slam?

A poetry slam is a competitive event in which poets perform their work and are judged by members of the audience. Typically, the host or another organizer selects the judges, who are instructed to give numerical scores (on a zero to 10 or one to 10 scale) based on the poets' content and performance.

· Who gets to participate?

The vast majority of slam series registered by Poetry Slam, Inc. are open to everyone who wishes to sign up and can get into the venue. Though everyone who signs up has the opportunity to read in the first round, the lineup for subsequent rounds is determined by the judges' scores. In other words, the judges vote for which poets they want to see more work from.

· What are the rules?

Though rules vary from slam to slam, the basic rules are: Each poem must be of the poet's own construction; Each poet gets three minutes (plus a ten-second grace period) to read one poem, if the poet goes over, points will be deducted from the total score; The poet may not use props, costumes, or musical instruments; Of the scores the poet received from the five judges, the high and low scores are dropped, and the middle three are added together, giving the poet a total score of 0-30.

· Are the rules the same from slam to slam?

Some slams have slight variations on the rules that Poetry Slam, Inc. has developed, but most adhere to these basic guidelines. The key rule in slam is that judges are selected from the audience, and those scores are used to determine who advances.

· Who organizes slams?

Slams are typically organized by poets interested in cultivating poetry in their communities. The vast majority work on a volunteer basis, and the price of admission typically goes toward either keeping the show running or toward special projects, like funding a slam team's trip to the annual National Poetry Slam.

· How often do they happen?

It depends on the community, but typically, slams happen on a weekly, bi-monthly, or monthly basis.

· How does it differ from an open mike reading?

Slam is engineered for the audience, whereas a number of open mike readings are engineered as a support network for poets. Slam is designed for the audience to react vocally and openly to all aspects of the show, including the poet's performance, the judges' scores, and the host's banter.

· What can the audience do?

The official MC spiel of Poetry Slam, Inc. encourages the audience to respond to the poets or the judges in any way they see fit, and most slams have adopted that guideline. Audiences can boo or cheer at the conclusion of a poem, or even during a poem. At the Uptown Slam at Chicago's Green Mill Tavern,where poetry slam was born, the audience is instructed on an established progression of reactions if they don't like a poet, including finger snapping, foot stomping, and various verbal exhortations. If the audience expresses a certain level of dissatisfaction with the poet, the poet leaves the stage, even if he or she hasn't finished the performance. Though not every slam is as exacting in its procedure for getting a poet off the stage, the vast majority of slams give their audience the freedom and the permission to express itself.

· What kind of poetry is read at slams?

Depends on the venue, depends on the poets, depends on the slam. One of the best things about poetry slam is the range of poets it attracts. You'll find a diverse range of work within slam, including heartfelt love poetry, searing social commentary, uproarious comic routines, and bittersweet personal confessional pieces. Poets are free to do work in any style on any subject.

· How do I win a poetry slam?

Winning a poetry slam requires some measure of skill and a huge dose of luck. The judges' tastes, the audience's reactions, and the poets' performances all shape a slam event, and what wins one week might not get a poet into the second round the next week. There's no formula for winning a slam, although you become a stronger poet and performer the same way you get to Carnegie Hall — practice, practice, practice.

· How did poetry slam start?

In 1984, construction worker and poet Marc Smith started a poetry reading at a Chicago jazz club, the Get Me High lounge, looking for a way to breathe life into the open mike format. The series, and its emphasis on performance, laid the groundwork for the brand of poetry that would eventually be exhibited in slam. In 1986, Smith approached Dave Jemilo, the owner of the Green Mill (a Chicago jazz club and former haunt of Al Capone), with a plan to host a weekly poetry competition on Sunday nights. Jemilo welcomed him, and the Uptown Poetry Slam was born on July 25 of that year. Smith drew on baseball and bridge terminology for the name, and instituted the basic features of the competition, including judges chosen from the audience and cash prizes for the winner. The Green Mill evolved into a Mecca for performance poets, and the Uptown Poetry Slam continues to run every Sunday night.