Shopping Cart
    items

      February 25, 2025The HummingbirdKenny Williams

      Before they gave a concert
      the Greeks would drop copper pots
      on marble floors, so
      you could hear the silence
      reassembling itself, a blank space
      for the flute. More like
      what we’d call a kazoo.
      And what’s with the hummingbird
      planted in the mouth?
      My mother used to fill a feeder
      with water and sugar
      and turn up her crooked but decidedly
      feminine thumbs.
      “The ones that come are this big,”
      she would say, for those
      of us who won’t rest without removing
      our mothers’ hands
      with precision saws,
      who want to scream
      but are afraid to shatter
      the silence in which
      we’ll have to bite our tongues and hand
      their old hands back to them,
      priceless pairs
      of antique cups
      they want to drink from
      but can only drop.

      from #39 - Spring 2013

      Kenny Williams (Virginia)

      “I hate it when poets pretend they don’t know anything about their own writing processes and get arty and mysterious when asked about it, claiming in a zillion different ways that they ‘receive’ their poems from the Beyond, or that the poems already exist in the abstract and that they, the poet, just ‘discover them,’ etc. I’ve been hearing a lot of this kind of thing lately. I think it comes in waves. The writing of poems remains, as ever, the manipulation of linguistic materials toward an artistic end residing in form. Never trust anyone who denies this or tries to talk around it.”

      Latest