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      December 2, 20151WTCAdam Scheffler

      Sometimes I lie in bed at night
      with the shade pulled back,
      and count all the lights still on.
      This morning, in the distance, it hoists a scaffold
      of shouting workers high in the air
      who struggle to latch and graft its glittering
      spire into place, the one needed
      to reach its symbolic 1776 feet.
       
      I hate the simplicity of its most American message:
      we can do anything—
      knock us down, we’ll rise up stronger—
      and I think how little we’ve learned,
      though it’s not unbeautiful, its bent
      glass-sheen and shimmer. “At sunset
      it takes on the color of the sky,” says the doorman.
       
      From my room at night it can seem delicate,
      distant, even small, but running south
      along the Hudson it grows
      so quickly that I feel quickly helpless:
      I see the simple myth of innocence
      and perseverance writ large
      in its monstrousness and I tilt my head back
      until I see black in the corners of my vision.
       
      I try to see in it those many who won’t
      ride the elevators into the sky,
      who won’t vacuum the floors, or barter for stocks,
       
      or else to glimpse in it the families
      who watch the new tower rise
      up better and higher, like an elaborate
      eulogy telling only a person’s best qualities,
      one that in its very ethereal perfection teaches you
      for the first time, that your beloved is dead.

      Adam Scheffler

      “I love reading fiction, and for a long time I thought I wanted to write stories. The trouble was that I kept getting bored after writing two pages. I also wanted the stories to be intense starting from the first line, and I didn’t like the feeling that, when writing, I was the one deciding what was coming next. William Faulkner once suggested that fiction writers are failed poets. I guess for me it’s the other way around.”