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      May 24, 2020A Crown for My Father on Memorial DayStephen Gibson

      (i)
       
      I have often told stories about you
      as a kid I promised not to forget,
      like the photo I kept in my wallet
      when you were in boot camp in WWII
      posing outside your tent—everyone knew
      the future would happen but didn’t let
      themselves think too much, only to regret
      what was in the past they could not undo.
      I’d look at that photo and promise you
      thoughts of the Bronx River Housing Project
      with you home, like that pic in my wallet,
      would remain with me forever. Who knew?
      That photo, which had serrated edges,
      was lost long ago. So much for pledges.
       
       
      (ii)
       
      Lost long ago, so much for the pledges
      to a dead father in a photograph
      who stands outside a tent—and almost laughs;
      the smile is hard around the edges
      and the photo in memory dredges
      up memories after the photograph:
      an adult, I want to cut time in half
      and remember only a boy’s pledges—
      but how can you forget what you still know,
      cut time in half and remember before
      but not ever what will happen later?
      It’s not like tearing in half a photo
      and pretending you didn’t go to war
      or what you did later to my mother.
       
       
      (iii)
       
      And what you did later to my mother,
      a child should never see—court photos
      document the violence blow by blow
      to justify each restraining order,
      which you would comply with, and then ignore.
      It must have been I didn’t want to know
      and turned my mind off as two shadows
      entered the bedroom and closed the door.
      The cops would come, as they had come before,
      and ask your wife if she wanted to go
      with them to the hospital, and she’d say no—
      when the door opened, there’d be the neighbors.
      This was in the Bronx River Housing Project,
      images not in the photo in my wallet.
       
       
      (iv)
       
      Images not in the photo in my wallet—
      nor the image of you in your boxer shorts,
      cops helping you with your pants. Their reports
      included the weapons, German war helmet,
      Nazi flag, and the letters you would let
      the cops pretend to read, pretend to sort,
      then return to the shoe boxes. You were caught
      trying to make sense of what you couldn’t forget—
      hence, the war trophies on the bed and letters—
      and you going over each one again and again,
      and never recalling what you’d done to her,
      after you promised it would never happen,
      after what you had experienced in war.
      Your gravestone marker reads “Tank Destroyer.”
       
       
      (v)
       
      Your gravestone marker reads “Tank Destroyer.”
      I took my wife and kids there on vacation.
      At Bay Pines, they gave me a map of the section
      and circled in blue your row with the number.
      I went there because I had promised her.
      I have a wife, a daughter, and a son.
      The visit was a side-trip on the vacation.
      By chance, in another section was a bag-piper.
      I took a photograph of your grave marker.
      It gives your name, rank, and division.
      You passed away when you were thirty-seven,
      the war over, but a casualty of the war
      (and as a casualty, I include my mother),
      after convulsive-shock and pneumonia.
       
       
      (vi)
       
      After convulsive shock and pneumonia
      you died—buried in Bay Pines, in Florida.
      I went to visit as I’d promised her
      before your wife died of liver cancer.
      I have the map, with section, row, number,
      circled in blue ink I keep in a drawer
      with batteries, flashlight, if we lose power
      in the next hurricane. I live in Florida.
      I’m retired. I was a college professor.
      My wife of fifty years (also a teacher,
      retired), plans trips to our son and daughter
      and daughter’s boyfriend in Seattle each summer.
      I don’t live in the Bronx River Housing Project.
      I don’t have that photo of you in my wallet.
       
       
      (vii)
       
      I don’t have that photo of you in my wallet
      because I lost it a long time ago,
      but I do have the cemetery photo—
      it’s on my bookcase. I don’t want to forget
      that at City College, you wanted to get
      your CPA, the war came, you had to go:
      That’s you outside that tent in the photo
      and the future hasn’t happened, not yet,
      and nothing is lost—the photo, the wallet,
      the you (almost) smiling because you know
      that’s how she needs to see you as you go
      off to a future neither of you could expect.
      The past is past; what’s done, we can’t undo.
      I have often told stories about you.

      from Poets Respond

      Stephen Gibson

      “In memory of my father this Memorial Day.”