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      September 28, 2022Darius Atefat-PeckhamAll Bodies

      As in every language,
      there are different words
      for all bodies
       
      of water. Somehow
      it still surprises me
      how many. Like the goldfish
       
      who died one after
      another in the days leading up
      to Nowruz, the New Year
       
      whispering
      at their budding
      lips. There are rules:
       
      I don’t know them yet.
      From what I can tell,
      rood-khaneh is House
       
      of River. The Ocean
      encompasses
      The Seas. You will find
       
      fountains and springs
      in any suburban
      yard, children’s hands
       
      submerged within them.
      And you can become
      imprisoned in any
       
      window you see
      through. Once
      kayaking, my small
       
      boat flips over
      in the rapids. I become
      like a fish, betrayed
       
      by my own opened
      mouth. For fourteen days
      I drown in my
       
      great-grandma’s kitchen,
      and the sabzeh grows
      backwards into
       
      itself. The rings
      of my scales sound
      outwards. My belly
       
      splitting open
      the surface. I pretend-
      die like this, watching
       
      the people twirl together
      like water-bugs, some heaven
      above me. A young boy
       
      wades over to watch
      me, from the other side
      of the glass, eating
       
      myself to death.

      from #77 - Fall 2022

      Darius Atefat-Peckham

      “In my poem ‘All Bodies,’ I was interested in exploring the acquisition of knowledge as a way of attempting to know a place—the beauty and pitfalls of this method. Learning about the history, language, and culture of Iran has been one form of transport for me as I yearn to go there physically, but can also feel, at times, like an imprisonment of sorts: of the body, the spirit, the mind. I guess I wonder if there can exist something about connection that is beyond the physical. Can we connect in the breathing, the drowning, the looking? I think we can and many of my most recent poems are attempts to do so.”