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      April 20, 2014AnywayTony Gloeggler

      After we dropped dirt
      on my father’s coffin
      the long line of cars
      drove back to the house.
      We stood in circles,
      took turns sitting
      at the kitchen counter
      and ate cold cuts.
      My mother introduced me
      to all her work friends
      as her son, the poet.
      One young woman knew
      it wasn’t the time or place,
      but always wondered why
      people wrote poetry. I told her
      I hoped to become rich
      and famous, fall in and out
      of love with multitudes of smart,
      beautiful, mixed-up women.
      She shook her head, said
      maybe I should leave you alone
      so you can go somewhere
      and write. I didn’t follow
      her, didn’t apologize for acting
      like an asshole. I walked
      upstairs, opened the door
      to my old room, looked
      for my bed and desk, my stacks
      of albums. I wanted to blast
      “Darkness on the Edge
      of Town,” start writing
      in a new notebook. I wanted
      my father to pound his fist
      on the door, yell turn
      that goddamn shit down,
      stick his head inside and ask
      what are you doing anyway?
      I wanted to hand him
      my notebook, watch him
      sit in his chair, turn on
      the lamp and read, slowly,
      his forefinger underlining
      all the words, his lips
      whispering every syllable.

      from Issue #13 - Summer 2000

      Tony Gloeggler

      “I’m not sure I ever wanted to be a writer or poet—in most ways I feel poetry is elitist and no one I grew up with or work with reads it and too often I can’t convince myself that they’re missing something important. I think writing poetry is just another of those things that always makes me feel like I don’t quite fit in. Like when I was a four-year-old and wore this big heavy leg brace and a huge Frankenstein boot on the other or when I was a superstar schoolyard jock with hair down to my ass or when I was a long hair and never touched any drugs or when I’m the only Caucasian in the group home where I work or I’m a poet who perfectly understands why hardly anyone reads poetry or needs to. Still, I write poetry and it matters a lot to me. I write for myself, though I would love to have a lot of people read my work. But mostly I feel at home when I’m writing, like I’m doing one of the things I’m supposed to do and when I get it right, when a poem is done and I can tell it’s good, well, it just lifts me. It makes me fool myself into believing that I was the only one who could do this, make this poem, and it’s one of those times when sticking out or standing out is all good.”