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      June 24, 2020Arrest This PoemRichard Prins

      A real poem will arrest its reader.
      But it should also achieve things
      its writer could get arrested for.
      Personally, I have been arrested
      for obstructing government authority,
      criminal trespass, disorderly conduct,
      and resisting arrest. I also want my poems
      to resist, obstruct, trespass, and always
      act disorderly (but most of the time
      they just achieve public urination,
      which won’t get you locked up in New York).
       
      The first time I saw Prince
      I was seven years old and afraid
      of how much I loved him.
      I mocked his falsetto
      and asked my mother
      if he was a boy or a girl
      (the same question
      posed to me by a child today
      who broke from the sprinklers
      to ogle my lime green toenails).
       
      I was sitting beside the sprinklers
      because my two-year-old loves water
      ever since I brought a kiddie pool to Zambia,
      and she splashed and drank so much of it
      she wound up vomiting in the hospital
      (I forgot the garden hose wasn’t potable).
       
      If the word “Zambia” caught you off guard,
      please remember that Zambia is a country,
      and sixteen million people do live there
      like my daughter did, happily, until
      a week before Trump’s inauguration.
      That’s when she moved to Brooklyn
      because we didn’t think customs officers
      would let her in the day they woke up
      and realized they worked for a bigot.
       
      When she was a baby, I flew often to Zambia.
      Once my white seatmate asked if I was going
      on safari. No; I was going to see my daughter.
      “Oh,” her lips curled. “So she’s a volunteer?”
      I was 28 years old then, hardly old enough
      to have spawned a voluntourist. But truth
      is just a maze I built myself to dwell in
      with hedges trimmed short so strangers
      can peer in, or leap out if they don’t like it.
       
      Questions are less threatening
      when they come from children.
      Grown-ass Brooklynites
      see my daughter’s skin
      and ask if she’s adopted,
      see her mother’s skin
      and ask if she’s the nanny.
      They rarely see us together
      because we are not together,
      so our little girl
      shuttles between worlds,
      her existence interrogated
      by the curious, idle people
      who never run out of ways
      to let you know you don’t belong.
       
      My last name is Prins, so I used to joke
      I would name my first-born “The Artist
      Formerly Known As” (tAFKa for short;
      who wouldn’t want to rhyme with Kafka?).
      I used to hold her in my arms and sing
      medleys of Prince to lull her asleep
      underneath a lemon tree in Lusaka.
      I just can’t believe / all the things people say
      Am I black or white / am I straight or gay?
      Prince expanded my narrow sense
      of life’s possibilities, and I hope
      that same resplendent groove
      will burst all the boxes and binaries
      the universe may thrust on my daughter.
      Jehovah’s Witnesses believe
      144,000 folks are anointed
      to rule beside Christ in the afterworld;
      Prince earns my vote to join that little flock
      (though I’m sure he’ll get disgruntled
      by celestial hierarchies and scrawl
      the word “sheep” across his cheek).
       
      Tonight, a Prince-themed roller disco
      takes place beside the sprinklers,
      where the undrained water lurks,
      lashed by purple strobing lights.
      I’m sipping a flask outside the rink
      in my purplest dashiki, afraid to go in
      because I came swaddled in self-pity
      and the kind of unsexy lonesomeness
      Prince tried to expunge from the earth.
      I can’t summon the courage
      to join the free beautiful people
      and rent a damn pair of skates
      even though I thought nothing
      of obliging three police officers
      to drag me out of Trump Tower
      with plastic handcuffs pinning
      wrists behind my back, a grin
      spreading mirth across my face.
      When they placed me under arrest,
      I didn’t wish to walk beside them,
      so I decided to channel my daughter:
      if it’s time to leave the sprinklers,
      she’ll stage a sit-in, limp as a fish.
      Shoulders vanish inside her blades,
      forcing me to lift and carry her away
      just like the cops carried me away.
      I have committed more poetry
      putting my body on the line
      than regurgitating my mind.
       
      After Charlottesville, I took my toddler
      to march against our Nazi-Coddler-
      in-Chief. A puppet wore a Trump mask
      and wielded a goofy, bloodstained axe.
      The mingling protesters adored
      my baby, who snuck up and roared
      at Trump while we booed and hissed.
      The puppet blew us a smarmy kiss.
      But soon concern was sprawling
      across the face of my daughter,
      who will race to pat the shoulder
      of any playmate she sees bawling.
      Now she wished to console
      this papier-mâché ghoul
      getting bullied by Rise & Resist
      and our rowdy troupe of activists.
       
      “Daddy, I wanna hug the puppet!”
      But that wouldn’t be good optics
      with all the cameras flashing
      and the world around us crashing
      thanks to Trump’s unslakable thirst
      for blood, attention, whichever comes first.
      Maybe he needed more hugs as a youth,
      and my baby unveiled an indelible truth
      that good and evil are just binaries,
      which need to be deconstructed.
      But the world’s on fire, so fuck it—
      I’m with the shrieking canaries.
      I whisked her away like she was under arrest
      even though pride inflated my chest
      for my empathic little girl
      growing up in a nasty world
      that has already displaced her
      and will continue to mistake her
      for something simple, and slight.
      May she teach me how to fight.

      from #67 - Spring 2020

      Richard Prins

      “In January 2017, two events radically changed my life: my daughter arrived in New York, and Donald Trump arrived in the White House. The spare time that I had previously devoted to poetry was now spent at playgrounds and protests. My solution was writing this poem about taking my baby to a protest. I considered it a remarkable feat of multitasking. I’ve been arrested several times since then at other Trump properties and the United States Senate. Civil disobedience is a bold, reckless, floppy, disruptive dance. Ideally, it’s also backed up by meticulous planning, theory, conviction, and community support. In other words, just about everything I could ask for in a poem.”