Shopping Cart
    items

      February 17, 2023AuguryJennifer Griffith

      I’d been bleeding for a year when we unsexed the frog.
      Cold and pungent from formaldehyde, it lay with limbs
      splayed and pinned to the tray. The science teacher
      lectured about the arrangement of a frog’s organs, how
      similar they are to ours, that dissection helps us learn
       
      the way our bodies work too. We’d been studying
      frogs for days; my lab partner and I were sick of them,
      so, we relieved ours of its reproductive parts, flicked
      them out the window, chipped pink nails launching
      tiny gray entrails to the snowy pavement outside
       
      the decaying junior high that looked like a penitentiary.
      Inside, biology was wild; boys dumped bottles of fox lure
      in the radiators, stole a Fiesta Barbie from the Spanish
      lab, denuded her and hung her from the cafeteria blinds.
      Someone in homeroom had a crush on me, but he smelled
       
      like cigarettes and dirty socks, was in the slow courses,
      and went around with sticky streaks of pot resin down
      the legs of his jeans. It’s called “amplexus” when a male
      amphibian wraps himself around the female and releases
      his sperm on the tapioca pearls of her eggs. In French class,
       
      our teacher smeared crimson lipstick on her mouth like a wound.
      She came to school sick most days and taught us the language
      of the body: maux de gorge, maux d’estomac, la jambe blessée,
      Or, like a certain frog, malade dans les trompes de Fallope,
      malade dans les ovaires. In the third-floor bathroom, I watched
       
      a tall, blonde eighth grader pound an anxious, primitive
      rhythm on the broken Kotex machine. A scarlet Rorschach
      bloomed across the ass of her white pants, the red blot shaped
      like West Virginia, or maybe a human heart, la coeur.
      When tadpoles turn into frogs, their external gills move
       
      inward and evolve into lungs. In water, frogs breathe
      through their skins, but they cannot feel love. My own body
      had become a violin; some days I thought if I drew a bow
      across myself, I could cry a concerto. During study hall,
      the boy behind me arranged my long hair in a pile on his desk,
       
      lay his head down in it and slept. I listened to the soft
      sounds of his breath while I did algebra problems—oxygen,
      nitrogen, variables, and equations mingling in the air.

      from #78 – Winter 2022

      Jennifer Griffith

      “I began writing poetry when I was a child and have always been fascinated by why we remember some things in our lives and totally forget others. ‘Augury’ came from my exploring various moments I recall from middle school, and, through writing the poem, I discovered that those seemingly random memories, whose commonalities appeared to be only time and proximity to one another, were actually topically and symbolically analogous and revealed a body rather than just an assortment of parts. So I guess you could say I write poetry to galvanize fragments into flesh.”