July 24, 2024

Chera Hammons

UPON READING THAT FRUIT FLIES AGE FASTER ONCE THEY HAVE SEEN DEATH

Horse girls have money,
a former student tells me with assurance
the same day I read about the flies.
He is stroking the mustang I adopted for $25
from the U.S. government five years ago,
and I think with sudden shock, He means me.
 
I have been so lost in worry about paying the bills
that it is astonishing to remember how charmed this life is,
how free and lovely these fields.
I’m ashamed of myself, of how easily I forgot that I am privileged
once I saw myself so far beyond repair,
health squandered, with no savings left, no retirement coming,
and the lean time that terrifies me seems so near.
But it’s not here yet. Isn’t that the sort of hope
many others are denied?
I have a home filled with marvelous gifts,
but all I can do is despair about losing it.
Oh, forgive me for such forgetfulness.
 
You see, I used to work in bookkeeping
and I have done the math to reconcile this,
again and again, just as people do who justify anything.
It’s been over a year since I ate food I didn’t cook myself.
I don’t travel. I don’t drink alcohol.
I don’t go to movies or concerts or conferences or shows.
I bought my phone well-used several years ago.
Most of my possessions, I got for free
in exchange for an honest review.
I don’t have health insurance.
I cut my own hair. I didn’t have children.
I didn’t have children. A horse, then, is a hold on the world.
When I was a teller I lived in my car
so that I could afford the board for one.
 
Googling what horse girl means,
I wonder how many versions of it there are.
I wonder if we all have our own version of poor, too,
which, like love, can differ wildly from another’s.
For seven years in my youth, this is what I learned:
you can get so fed up of bargain ramen
you can no longer keep it down,
and that is a waste of ramen.
Truck stops have showers anyone can use.
Malnourishment makes for ugly toenails,
which is especially frustrating
when the only affordable shoes are flip-flops.
Pawn shops deal in well, it’s better than nothings.
If you make friends with a supermarket manager in a small town,
he’ll give you the box of hamburger patties that were returned
after customers complained they tasted of kerosene.
Yes, even those days, I knew deep down
I had more than what I needed.
It was the gluttony of ramen that made me sick.
A gluttony of meat. A gluttony of prayer.
 
I’m ashamed to admit that even having known plenty
I still don’t know what enough is,
only what it isn’t. What I want is more,
always more. I tell myself I want only enough to be safe.
How much would that take? God help me.
The safest sound in the universe
is the click and whoosh of central heat.
 
One day in New Mexico I held a skinny black horse
so that my first husband could shoot it in the forehead
with a gun he borrowed from the neighbor.
We used to get problem horses dirt cheap,
train them and resell them.
This horse had been there for just two weeks
before we learned he carried 40 pounds of sand in his gut,
gathered from years of eating hay thrown on the desert ground
by whoever had owned him longest.
That is the carelessness of hunger.
It comes from another carelessness.
 
When that man grew weary of our violent and famished lives,
family loaned me the money to file for divorce
and bankruptcy, which are also luxuries.
Debt is necessary to discharge a greater debt.
 
Did you know, if you give a horse too much to eat,
the horse will kill himself gorging on it?
 
You can yearn for what you have while you wait to lose it.
It’s difficult not to feel sorry for yourself
while hating yourself for feeling sorry for yourself.
Damn it all. And that’s just the way it is:
The skin, the teeth, the toenails,
the importance of appearances.
Of youth, which can do anything,
you assume, at first; it seems so wide and wealthy,
 
but it only saves up what little it can,
if it can save anything at all, and that runs out too soon.
Your credit cards all charge annual fees,
if you’re lucky enough to get credit cards.
You make the minimum payment while the balance grows.
You get used to living on credit alone,
which one day runs out, too.
Desperation is such a hard habit to get rid of.
Around here, so many are losing homes to flooding and to storms,
but not me, not yet, and yet—
 
Horse girl, horse girl!
 
What a luxury it is, of course, even to try to name
what it is that matters most.
To choose what to sacrifice,
even while believing more is never coming.
Please forgive these trespasses, these unkindnesses
and excesses and stinginesses.
The secret closets of almost-empty bottles
I can’t throw away because they can change the way a world looks.
 
Ask any mare that has been hitched to a cart
what this all means.
 
See how she stands flicking the biting flies
with her tail while she waits,
wearing the blinders which are meant to keep her
from learning what she is attached to.
Meant to keep her from fearing whatever dark box it is
that is rolling, rolling, rolling, so
inextricably behind her.
 

from Rattle #84, Summer 2024

__________

Chera Hammons: “This poem is the result of a weird confluence of events. Since I read the fruit fly article, I haven’t been able to stop thinking about it. I’ve wondered what traumas I have that I don’t know I’m showing. And I thought about how difficult it is to escape trauma, how it changes a person, just as it changed the flies. And how many traumas there must be in the world.” (web)

Rattle Logo

July 23, 2024

Mary Meriam

ARS POETICA

She took me home—or what I thought was home,
but was in fact a hell she made for us.
We left The Sound of Music with the fuss
that I was making, working out my poem

in sobs. She asked me what was wrong. I said,
“I want to be there,” in the Alps, singing,
twirling with her in sunshine. I was clinging
to song, with nothing real to hold instead.

She gave me pain—no comforting the way
most mothers do, I guess. And so I wept
like no tomorrow, out of love. We left
for rainy sidewalks to the car, the day

falling in dusk, the pity I had to make,
the bleak, deserted street I had to take.

from Rattle #48, Summer 2015

__________

Mary Meriam: “The scene in ‘Ars Poetica’ has been haunting me for a long time, so it’s a relief to have finally brought that ghost to the light of day. Now some of the pain I felt has been transformed into the formal pleasures of a sonnet.” (web)

Rattle Logo

July 22, 2024

Cindy Gore

GHAZAL FOR BREVITY

A mantra sets in with just one word.
A dream can end with just one word.
 
A human’s lifetime of asking questions
—why?—will begin with just one word.
 
The babysitter fastened baby’s diaper
and made him grin with just one word.
 
A rude, intrusive busybody got under
the neighbor’s skin with just one word.
 
Tell the bartender pouring gin and tonic
“how many parts gin” with just one word.
 
As the crescendo builds, the wicked villain
in the film commits sin with just one word.
 
Teacher, you have learned over and over
that one fails to listen with just one word.
 

from Rattle #84, Summer 2024
Tribute to the Ghazal

__________

Cindy Gore: “Although I had read the word ghazal in poem titles before, I was unfamiliar with the particulars of the form because I’ve never been formally trained in poetry. I became interested in learning more when poet Campbell McGrath commented about Alexis Sears’s ‘Heartbreak Ghazal’ on the Rattlecast after the school shooting in Uvalde, Texas.”

Rattle Logo

July 21, 2024

Annette Makino

HAIKU

 
 
 
 
dry thunder
the latest polls
roll in
 
 
 
 

from Poets Respond

__________

Annette Makino: “I’m spending the week at a cabin on the Klamath River in Northern California, where a summer storm surprised us on Monday. It’s beautiful here, but dry thunder—and dry lightning—are very ominous in this rugged, mountainous region prone to wildfires. The weather seemed to echo my sense of dread from the political news.” (web)

Rattle Logo

July 20, 2024

Annika Ziff Glueck (age 12)

WE HAVE SAID SO MANY GOODBYES

for my grandmother lost to Alzheimer’s

Today we remember you.
And will always remember you,
Even though we said many goodbyes
These past years.
 
Goodbye to the last time you’ll remember my name,
The last time you’ll read me a book,
The last time you’ll play a game with me,
The last time you’ll join family dinner,
The last time I will hear your words,
The last time you’ll walk with me,
The last time I’ll make you laugh,
The last time you’ll hear my voice 
and respond.
 
And now this last goodbye, 
As we lay you to rest,
Free to be your whole self again.
After so many goodbyes.
 

from 2024 Rattle Young Poets Anthology

__________

Why do you like to write poetry?

Annika Ziff Glueck: “I started writing poetry when I was younger, and my grandmother Anne encouraged me to keep going. I love to curl up and read, but for me, writing is hard some days. I love poetry as a way to share my ideas and emotions, and communicate my voice.”

Rattle Logo

July 19, 2024

Staci Halt

MY SON SAYS THANK YOU WHEN I SAY I LOVE YOU

It happened one time, then again;
I am certain whatever it indicates—
 
embarrassment, or maybe
he’s unearthed quietly
the fact that I am difficult
 
to love, and responds
in the only reasonable way he can—
 
the new exchange cemented itself
into our routines         around the time
of the divorce.
 
I’ve heard children will often
punish the mother.         Why shouldn’t they
unload their righteous little arsenals?
 
There must be another version of our life.
One where we never have to leave
the farm by the woods,
where the trampoline
springs never rust,
 
the Japanese maple has grown enormous,
and the forsythia I planted,
rampant—it has so wildly
taken over, that after a long day
 
when we pull in the winding drive
towards home, we can’t remember
 
why we are so sad,
because everything is a clamor
of yellow yellow yellow—
 
the house, the yard, the barn,
even the pine-choked sky.
 

from Rattle #84, Summer 2024

__________

Staci Halt: “I am a writer near Boston and mother of six wonderful humans and several pets. My poems often come through a speaker who faces or reflects on terrifying circumstances; the poems end up serving as a sort of container for something that demands containment or would otherwise be unbearable.” (web)

Rattle Logo

July 18, 2024

Terry's Keys by Kim Beckham, photograph of keys hanging on a fence at a beach

Image: “Terry’s Keys” by Kim Beckham. “Bigger Than Us” was written by Emily Walker for Rattle’s Ekphrastic Challenge, June 2024, and selected as the Artist’s Choice.

__________

Emily Walker

BIGGER THAN US

we ran out shrieking
leaving our mark as
footprints in the sand
only stopping to
plant our keys on the fence
like a flag on the moon
terry, her short hair,
her red face,
said we owned the beach
and we could’ve
but the black-backed gulls
who mimicked our screeches,
they were thieves
the dunes were our country
the waves, our closest friends
the sun burnt us in continents
drawing maps on our backs and
painting our hair with streaks
of light, of day, of promise.
stay forever, we swore and
locked our pinkies till they bled
 

from Ekphrastic Challenge
June 2024, Artist’s Choice

__________

Comment from the artist, Kim Beckham: “‘We ran out shrieking.’ I really like that the poet created characters and a world to fit the scene. They truly captured all of the senses in the images, sounds, and heat of Terry’s day at the beach. It felt really tight with the perfect image to punctuate the ending. Pinky swear!”

Rattle Logo