January 9, 2025

Jared Campbell

INJUSTICE

The beautifullest bird’s the pigeon,
but “pigeon” doesn’t rhyme with “love,”
so poems praising love, religion,
or nature all ignore the pigeon.
Their iridescence doesn’t get a smidgen
of the honor granted to the dove.
The beautifullest bird’s the pigeon.
But “pigeon” doesn’t rhyme with “love.”
 

from Prompt Poem of the Month
December 2024

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Prompt: Write a tiolet that features a bird.

Note from the series editor, Katie Dozier: “As a regular reader on our weekly Rattlecast Prompt Lines, Jared frequently shares his contrarian takes on the world—which fly with particular grace in this poem. With the wingspan of the eight lines in a triolet, he crafts an extended metaphor on the wind of a perfect title. The humor of ‘beautifullest’ shakes our tail feathers, and we may never look at a pigeon the same way again.”

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January 8, 2025

Jim Daniels

FRENCH OMELET

When my parents came to France to visit
they got on the wrong train. We lived
in the middle of nowhere, too small
for their map. We retrieved them
 
at another station and drove to our small
house surrounded by someone else’s
grape vines. My father, retired from Ford
in Detroit, could not believe how narrow
 
the roads were—unmarked paths,
two-way traffic on one lane, requiring
small gestures of deference. On leave,
I had a small break from marking
 
papers. My mother had raised five kids
and nursed her tiny mother till she died.
All she wanted was a French omelet.
Out of season, the small restaurants
 
nearby were closed. I myself did not know
what made an omelet French. We grew
up with scrambled eggs on special
occasions and hard-boiled at Easter.
 
My two small children liked sweet brioche
toasted for breakfast in our dark, stony kitchen.
My mother read them bedtime stories.
My father built fires in the fireplace.
 
We were all in some version of heaven
though my mother already relied
on a cane and wore tinted glasses
on the narrowing road to a wheelchair
 
and blindness. She got her omelet
in a roadside café one sunny February
afternoon warm enough to sit out
on the tiny terrace. She refused to be
 
disappointed with their small, modest
lives, their ordinary children.
She was in France! Eating an omelet!
So light she had to keep it from floating
 
away with her fork. Just the five
of us in the café. My father
could relax now that she had
her omelet.
 
We squinted into the sun
with all the time in the world
as the clocks briefly paused
to grant her that small wish.
 
I keep saying small even as it grows
in memory, looming down
from the distant sky
years after her passing.
 
I can see that full yellow plate
in front of her. She ate it
for the rest of her life.
 

from Rattle #86, Winter 2024

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Jim Daniels: “I had a speech defect for many years, and I found solace in expressing myself on paper. A teacher in high school changed my life when he told me I was writing poems. Despite or because of the many other defects I have accumulated since then, I continue to write.”

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January 7, 2025

Seth Peterson

THE YEAR OF DISAPPEARING TENTS

They swept up baby pictures like
they swept up obituaries. They swept up
ashes of a husband, & told no one
 
where to find him. They swept up
sacred heart pendants, a patchwork quilt,
a sprig of lavender pressed into a bible.
 
The grim faces looked on, numbed
by the lashes of the wind. The cops didn’t feel
the same gravity of living, how the weight of things
 
glommed like moonlets onto Saturn.
They didn’t look close enough to see
that, inside the tent, there was a backyard in Kansas.
 
Inside the backyard was a family.
Inside the family was a universe in which
everything turned out different. They swept up
 
a sweater with one specific thread,
which scaled a cephalic vein & left
the right atrium, where it twisted its amplitude
 
into a bloodied ball of cotton, before
soaring through a heavenly door &
reuniting with a son. In the dust bin
 
were love letters signed by sparklers. There were
hammers & socket wrenches ringing
to the underworld, summoning the spirit
 
of a father. They swept in like a thunderstorm,
water flogging down, chasing along
the streets, whirling through the manhole
 
covers, so that it seemed a caricature of something
so horrible, you have to wonder if it’s real.
Like in Hollywood when someone at their lowest—
 
broke, divorced, can’t get any lower—
walks off into the jungle, makes one wrong turn,
& is swallowed, bones and all, by quicksand.
 

from Poets Respond

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Seth Peterson: “I recently stumbled upon the work Propublica has done to document the cost of ‘sweeps’ of homeless encampments. Like many, I have mixed feelings about the practice. This poem is informed, in part, by letters written by the unhoused people whose things were taken in sweeps. One woman said her husband’s ashes were taken and she hoped ‘he wasn’t in the dump.’ Last year (2024) saw the number of sweeps increase across the country, a trend that will likely continue in 2025.”

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January 6, 2025

James Crews

SO MUCH SPACE FOR SONG

What made the winter wren say,
this is my home now, as it carried
stick after stick and tufts of grass
to the tractor, shaping a soft place
inside the arm that lifts the bucket?
What gave such a small body
so much space for song, belting out
notes from its perch on top of the seat,
chirping if we get too close to that
hollow where her young are now
hatching, calling out in hunger?
What fills any of us with care enough
to say yes to this difficult world,
taking our places in it, despite
the risks, knowing the dangers?
Watch how the wren shrinks itself
to fit inside the tractor we haven’t
driven in weeks, where tiny beings
have just emerged from eggs the size
of marbles, each one filled with
the songs of their mother and father,
a music that’s larger than this
one life we are given.
 

from Rattle #86, Winter 2024

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James Crews: “I write poems because I am trying to hold onto my moments. Having lost a lot of close family members and friends lately, I see how easily our world can change in an instant, and I think I write as a way to pull the moments I love back into myself and hold onto them just a little longer.” (web)

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January 5, 2025

Jean Prokott

VOYAGER

When I behold the charm
of evening skies […]
knowing that this galaxy of ours
is one of multitudes
in what we call the heavens,
it troubles me. It troubles me.
—President Jimmy Carter, from his poem “Considering the Void”

Jimmy Carter died and is on his way
to rock and roll heaven, and a Voyager
spacecraft is over fifteen billion miles
from us, but I don’t know which
is harder to get to. not all presidents
go to heaven, and so far Jimmy Carter
is the only president in space,
by way of a letter, imprinted on
a Golden Record, to someones or
somethings unknown. this message
will live incomprehensibly longer
than you. in five hundred and six
thousand years, or in ninety million
three hundred thousand years, or in
seven billion four hundred million
years, more or less, some beings
will find a Voyager with that Golden
Record still attached. our Earth will be
a crumb of burnt toast. he says
We are attempting to survive our time
so we may live into yours.
most of us can only wish to have
cosmic significance. I consider the void,
I consider America, and I would like
to blast our failures into space,
but Jimmy Carter sent good will,
because only some of us can see
a burden as a blessing. Jimmy Carter
died but is powered by the sun
and by God, so he is still surviving
his time. if you cracked the peanut
shell of his heart open,
you’d find an interstellar geode,
a solar system inside. he wanted us,
too, to carry that vast, hard love.
do you know, do you know
how lucky we are to have sent
the best of us into the stars?
 

from Poets Respond

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Jean Prokott: “America mourns the loss of President Jimmy Carter and celebrates one hell of a life lived. I’ve been reading his poetry this week and came upon this quote: ‘being president is as difficult as writing the perfect poem.’ If only all leaders were poets.” (web)

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January 4, 2025

Moira Linehan­­­

THE WAY A PSALM CAN BEGIN

I’ll never figure out my part
in praying. How to even start.
Like the silent heron that lands
mid-scroll in the year’s low pond, I stand
waiting. Who said there were fish here?
So, should I trail the geese? But I hear
those grating squawks. Who’d want a god
who answers the raucous? I’ve slogged
through sacred tomes and ancient scrolls,
still ask, Where’s the Spirit? What holds
Its breath? Migrating mergansers
dive, surface yards away. Answers—
if only they were black and white
as those hooded heads. Prie-dieu, this site,
this pond foxes and raptors ring,
where some black birds are red-winged.
 

from Rattle #45, Fall 2014
Tribute to Poets of Faith

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Moira Linehan: “I am a practicing Catholic. The place where I write overlooks a small pond called Winter Pond. Its weather and wildlife keep showing me the incarnational nature of this world. Scriptural language and stories, embedded since childhood, rise up—often unbidden—and help me give voice to what I am given to praise.” (web)

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January 3, 2025

Joe Barca

THE YIPS

I play pickleball—a lot
can’t get my serve in
 
the inkwell is dry
my poems are all shitty
 
I fail again and again
someone says: just hit it in
 
I bang my bloody head against
the writer’s block
 
I think: great fucking suggestion
I whale at the ball
 
a word thief hovers
in the attic of my mind
 
the landing zone is a postage stamp
the ball sprays everywhere
 
silent as a witness
my words are anesthetized
 
on a Tuesday in June
I go to a yard sale
 
buy a statue of The Virgin Mary
plant it in my garden
 
play pickleball the next day
miss my serve
 
there is a short sharp cry
a coyote in my head
 

from Rattle #86, Winter 2024

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Joe Barca: “When I was a seventh grader at Sacred Heart Grammar School, my teacher made me memorize ‘Jabberwocky’ by Lewis Carroll. To this day, I can still recite the poem. Someday, I hope to have a student learn one of my poems by heart.” (web)

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