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      July 8, 2022Kristina ErnyBad Friday

      I put on my good
      lipstick in preparation
      to mourn,
       
      and outside
      three redbuds pink out
      like Magdalenes
      holding cherry margaritas,
      each cup full
      of blossom rimmed
      with salt sun.
       
      The Kid Bible
      doesn’t show
      any blood.
       
      And when my daughter
      asks about the crown
      of thorns, I tell her
      the truth
      complete
      with whips, nails,
      long drips of bright
      blood.
       
      I make her cry, thinking
      about Baby Jesus
      nailed at right angles,
      pierced in the side,
      the shape his baby
      body made, dangling
      there.
       
      “No,” I say, “he wasn’t a baby.
      He’d grown up to do this.”
       
      “But why’d they have to nail him,”
      she says, “it would hurt.”
       
      Her eyes grow glossy, her lips fall, pinch.
       
      “Because they wanted to kill him like a criminal,
      and this is how criminals were killed back then.”
       
      “But it’s not fair,
      he didn’t do anything wrong,
      didn’t they know
      that he was good?”
       
      Her brows push together,
      begin clenching
      and unclenching their fists.
       
      “I know, baby,
      that’s the point.”
       
      Feeling good, my head nods,
      I’m doing good, she’s getting it.
       
      “When’s Bad Friday,” she says.
       
      After a pause,
      the tree behind her
      shakes, spills its cocktail
      across the lawn.
       
      Suddenly, she reaches out
      and clasps my cheeks
      with both her palms,
      kisses me hard
      on the mouth.
       
      Then she rubs her index finger
      slowly across her bottom lip,
      looks down, smiling,
       
      and she shows me,
      it’s red.

      from #76 - Summer 2022

      Kristina Erny

      “I am a third-culture kid: i.e. a (white) American girl who was raised outside of America by parents who are also third-culture. This early displacement, and the displacement of my parents as young children, has informed and distorted my sense of identity in relationship to my ‘nation’ or ‘tribe,’ and our life as expatriates has given me a sense of alienness which informs all of my writing. These alien eyes and voices have gifted me a different way to inhabit and understand my experiences as a mother of young children, and also as another moving through time and space.”