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      December 29, 2020BirdwomanLexi Pelle

      Image: “Leaping Crane” by Kim Sosin. “Birdwoman” was written by Lexi Pelle for Rattle’s Ekphrastic Challenge, November 2020, and selected as the Editor’s Choice.
      I hurried myself into this new life like it was a bullet
      train that could leave without me. Violent. The steel
      wool of an inner child’s drawing
      of a rain gray cloud come to life
      to tear the rest
      of your T.V. dinner off your plate.
       
      Turns out everything I imagined we could be
      is not enough to scrub who we are
       
      from the second stomach of my chest.
      Turns out you really can’t change people
      and now every romantic comedy is sighing
      its Splenda-ed happy ending in my wake.
       
      Some days I wash the windows so you will see
      how clear the outside of our home has become
       
      while it waits for me. Fold
      your socks so that it always
      looks like one is eating the other. Leave
      the white shell shards in your eggs
      so you won’t ever forget how much had to break
      inside me to become
      the kind of girl
      that would fear you enough
      to always make you breakfast. I am no cook.
       
      I am just a bird married to a bird
      thinking that is enough to stop this sad,
       
      splendid sky
      from falling us
      out of this godless blue.
      It is the anniversary of the day
      I stopped talking
      about going back to school.
      Started learning how to love
      trying
      to make you love me
      and the daughters trapped
      in all the pickles jars I was too weak
       
      to open on my own.
      How green this drowning has become.
       
      How navy the nights
      you came in
      and I pretended to be asleep.
      I was
      knocking on the doors
      of every pink dream and begging
      them not to see me as a wolf.
       
      The arguments
      about traffic
      and date night
      and sex and bedtimes
      and my family
      and your family
      and our family
      and the chores
      and the chore of discussing the chores
      and the chore of keeping quiet over keeping clean
      all fragranced in my hands like the discarded pith of an orange.
       
      The delicate palmistry of a future
      we to-do listed into a past
       
      that would become the fight most travelled by.
      The days that got us here
      equal parts dull
      and deli meated
      and holy.
      Memories such martyrs
      for sacrificing themselves into a wide
      and out of focus sea.
       
      If forgetting is the only thing that can save us
      then I will tear up every love poem I ever wrote to you.
       
      The stanzas made out of Christmas cards
      and sitcom laugh tracks.
      A sliced,
      but smiling soundtrack
      to distort the silence.
       
      See how my happiness backgrounds for you?
      See how we are becoming those warnings about wildlife
       
      with bottlecaps cupped
      in their bellies?
      How little
      difference there is,
      to a woman in love,
      between danger and hope?
       
      Those kisses that glitter like litter
      does long after it’s been digested.
      The silent photograph
      our first daughter took of us
      fighting at the family picnic.
      The one that I framed
      and then hid
      so that the birdwoman inside it
      could never get out.
       
      In it, I am screaming,
      screaming
       
      at you.
      My mouth opened so wide
      that if she hadn’t been there,
      if she hadn’t taken it,
      I would have displayed it
      on the mantelpiece
      and told everyone
      I was singing.
      Tonight’s guest on the Rattlecast is Skye Jackson! Join us live here

      from Ekphrastic Challenge

      Comment from the editor, Timothy Green

      “From the first line break, this poem is engaging—like a bullet train not a bullet. It grabs me, and for three pages never lets go, with as many twists and turns along the way as the first lines promise, traveling farther from the original image than seems possible. It’s a bit of a cliché to call a poem a journey, but this one truly is, and there’s something honest and intimate to find once we reach its powerful destination.”