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      March 18, 2015BiscuitHannah Gamble

      When I saw her at the bar
      it was already almost two.
      I thought lucky hours, and sidled
      up. She looked like the kind of girl
      who would begin to sneeze mid-orgasm,
      like when a rat is suddenly adorable
      bringing his gnarled pink foot up
      to scratch a dewy ear.
      I wanted to draw her baby hair
      up by the silky handful
      to see how thick her neck was,
      like I’d be able to get a wad
      in my mouth and carry her
      like a pup. Her clothing was like a family
      assembled by taking one orphan
      from each continent. She seemed
      like a philanthropist, or a hoarder,
      or a biscuit unbuttered. There’s something stupid
      about a biscuit. Also something
      very gentle. The lights came on
      in the bar and the music went away
      completely. She had noticed me
      looking at her, but her expression
      was no different than it had been before,
      when she was poking one large
      finger into a bowl of salted nuts,
      only the slightest hint of dismay
      when the salt in the bowl
      let her know she had
      cut it.

      from #46 - winter 2014

      Hannah Gamble

      “I started writing poetry when I was living in Bloomington, Indiana, working as a bank teller and hating my life. I joined a community women’s writing group for some kind of creative outlet, and, after about a month, got bored with the little memoirish essays I was writing. Within a month of writing the first poem I’d written in five years (I’d taken a poetry class as a college freshman) I decided to apply to MFA programs. I did it. I got into the University of Houston, and now, in addition to other things (singer, teacher, art model, friend, sibling, daughter), I am a writer.”