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      January 16, 2020BlinkCecilia Woloch

      I was small and half-believed I could disappear
      just by closing my eyes—no,
      I wished for it fervently:
      that my scarred hands, red with itch,
      would become the hands of ghosts, of saints;
      the dark oval of my face dissolve,
      transparent as the air.
      How does a child fit a body she hates?
      How does a child learn to hate what she is?
      At school I was wool-locks, chink-eyes, freak;
      each slur spat—a twisted animal,
      some trapped thing thrown back, maimed.
      In church, the gravest of my sins
      in the hushed confessional: this flesh
      which, bead by bead, I prayed might be illumined, changed, erased.
      Oh I would have died to be beautiful once
      Saint Cecilia, Saint Genevieve
      wrapped myself in the scratchy sheets
      to be buried, and risen again;
      to blink and vanish—look:
      here’s how the world turns a girl on the wheel of herself,
      what wasn’t murdered in me:
      a face that stares out from the glass of its longed-for death,
      alive, and loves what it sees.

      from Issue #16 - Winter 2001

      Cecilia Woloch

      “I’m a poet, writer, teacher, and traveler, based in Los Angeles but happiest living out of a suitcase. I’ve crossed the Polish-Ukrainian border on foot in the company of smugglers, been robbed by a Russian gang in Warsaw and rescued by off-duty police in Paris. I write poetry because I keep falling in love with language and prose because there are so many stories that haven’t been told. I can build a fire in a woodstove, bathe in a bucket, apply lipstick in a rearview mirror, cut my hair with a kitchen knife, drive a stick shift and pick a lock—these are skills I consider essential, along with good grammar and knowing how to fake it until you’ve learned the steps of the dance.”