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      July 5, 2017Boardwalk EmpireTruth Thomas

      Atlantic City is a good trip
      if you want to teach your children
      about pimps and screaming
       
      and gunshots screaming
      at three o’clock in the morning,
      and seagulls that eat better
       
      than people do, and wheelchairs
      parking people with oxygen
      tanks for guards—people
       
      with canyons, instead of bags,
      under their eyes, addiction lighting
      their eyes like LEDs in flat
       
      screens, at the boardwalk,
      on the boardwalk, Under
      the Boardwalk, where only
       
      sirens sing, at the Trump
      Taj Mahal, at 3 o’clock
      in the morning. At 3 o’clock
       
      in the morning, you can order
      Buffalo chicken pizza, with blue
      cheese on the side, from South
       
      End Pizza, and they will bring it
      to your room—if you have
      a room. Say you have a room,
       
      and paper to flame for a pie,
      and you’re not sleeping
      in the shadow of “The Donald,”
       
      of “The Donald Duck,”
      of the “Dick,” also known
      as Donald, at Trump Taj Mahal,
       
      where even seagulls
      have comb-overs, yours will be
      a good room. Wet bars thirst
       
      for these rooms. All pimps know
      these rooms, like lipstick tricked
      knows sucky sucky sounds.
       
      You might be on the 42nd floor.
      You might be loopy in loot.
      If you are loopy with loot,
       
      your good time sugar will be glazed,
      but if you are not buttered and hot,
      thick with bread, you will be
       
      a Happy Meal for seagulls,
      in Atlantic City—in America
      City—and tourists will clap
       
      for these birds, finger them in phones,
      as they Hitchcock into storm,
      tornado into pecks,
       
      scavenge whimpers of your children,
      and shit them out, up and down
      the Ferris wheeling street.

      from #55 - Spring 2017

      Truth Thomas

      “I’ve always been drawn to poetry that uplifts and transforms in the context of social justice activism. There is courage, humility, and a sense of useful purpose in the spirit of such work that appeals to me. In that light, I do not write for me. Primarily, I write as honestly as I can to reflect the world in which I live in the hope that my efforts will help somebody.”