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      June 1, 2012BoilerPia Aliperti

      The radiator clanked and banged all night,
      clattering coins and glass boots.
      The bedroom was still cold.
       
      Sometime after 3 a.m. I fall back into bed,
      read Vincent’s letters.
      It is 1881, nine years before his death,
       
      and he has just been rejected
      by his pretty, widowed cousin (“Never, no, never!”).
      His feelings for her have smoldered unspoken
       
      and now he is white-hot. He writes his brother Theo
      If I did not give vent to my feelings every so often,
      I think the boiler would burst.
       
      I call my brother whenever I walk
      from Flatbush Avenue to my walk-up apartment.
      We talk about his girlfriend who moved to Seattle,
       
      his feral cat, the flocks of birds
      falling to earth in tandem.
      I am not naturally forthcoming. I wait
       
      until I need to make an adjustment,
      loosen a bracket, twist a knob counterclockwise
      before I spill that I am miserable,
       
      or defeated
      or wildly optimistic: I am almost pleased
      with my ‘never, no, never.’
       
      Vincent saw in Kee Voss a woman who knew
      grim days, and fear, and worry.
      She already had a child. He glimpsed an interior
       
      swashed in yellow, so he pounded on the door.
      I imagine she was shocked
      for “never, no, never” beats with intent.
       
      The groundhog was not released last week;
      there was no room for shadow.
      But Vincent thought, if this is truly over,
       
      Wouldn’t she say something worse
      to me than ‘never’?
      They are questioning me about my intentions
       
      to turn on the light.
      My appointments bore me.
      I despise my punctuality.
       
      Let the lights burn out. Let the laundry grow
      larger. I will write about toothbrushes if I want to.
      I check my e-mail once a day and wince.
       
      This is not a yellow life.
      I get very cross when people tell me that it is dangerous
      to put out to sea.
       
      Did you know when he wrote those words
      he hadn’t yet sketched out The Potato Eaters;
      where was his little ship then?
       
      Eager as ever
      my brother enters poker tournament after tournament
      until the site kicks him off or he cashes
       
      his next birthday check.
      My brother is passionate about poker.
      This man-child, my mother says
       
      and she cuts off his tuition.
      My brother asked me for money, only once.
      A handshake in my thoughts! I told him,
       
      which is also Vincent’s sign-off in letters to Theo.
      He is always asking to be remembered.
      They seem to forget that there is safety in the heart
       
      of danger. I just want him to get to Arles
      to the little yellow house,
      where there is no shadow or shade,
       
      to the woodcut room
      where every thing points to rest.
      Vincent tells his brother that he spends his days
       
      fiddling with paints, thinking about paints
      but still the ‘never’
      riddle is by no means solved.
       
      The door is now shaking
      to the heavy drone of the radiator.
      I’m sure the ceiling moved. I will not
       
      call you. There is no home
      in white-heat. Only yellow
      in an open shutter.
       
      It is not here yet, but it moves
      like a season.
      It walks like a soul.

      from #36 - Winter 2011

      Pia Aliperti

      “Reading poetry makes me want to be wild and turn others wild with me. How can you read something like Gregory Orr’s ‘Love Poem’ or Anne Carson’s Glass, Irony and God and resist the urge to answer? I write because the goose-bumped, prickly pleasure I get from reading demands more strange music.”