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      January 9, 2018BowieDiana Goetsch

      The first time I saw David Bowie it was a man who took me
      to a cinema in Huntington 12 miles from our town
      where they were showing Ziggy Stardust and the Spiders from Mars,
      the concert film with backstage footage of Bowie
      during costume changes talking with friends he obviously loved.
      He was young, with milky skin, as excited about the show
      as his audience—no matter how garish the makeup,
      how spiky the hair. He was, that is, an ordinary person
      saying, “Wow, isn’t this a blast?” saying what I would say.
      Soon he’d go back on stage in another skin-tight outfit,
      the crowd would spend half a song wondering where his dick was,
      before surrendering again, singing along to that big voice
      as crisp and thrilling as sanity. He was so full of plain goodness,
      yet also a space alien, truly fierce, a little grotesque, though I knew
      he was nothing to be afraid of, for I was Ziggy Stardust too.
      Soon I’d go away to college, putting distance between me
      and the man who drove me to see Bowie. For a while he wrote me
      letters mentioning other beautiful men. Richard Gere
      was on Broadway playing a gay man in a concentration camp,
      the Nazis made him wear a pink triangle, and perhaps, his
      letter suggested, I might want to try on that triangle too.
      Did I tell you he was my 12th grade English teacher?
      His understanding of metaphor was quite limited,
      but I’m glad I at least got to Bowie, who was so far beyond
      gay or straight, a creature so wildly human
      there was no word for him yet, which is why he needed
      another planet to be from, a planet I needed to find.

      from In America

      Diana Goetsch

      “I’m basically a love poet. I’ve started to understand that after all these years. No matter the subject, I think my mission has something to do with redemption. And I just go for the hardest thing to redeem.”