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      July 26, 2023Box OdeBarbara Hamby

      Sarah is bartending at Waterworks, a local tiki bar,
      and tells us about the box a colleague has
      with all the creepy notes men have slipped her,
      and I think most women have a box like this,
       
      and if you’re lucky it’s not your body, and I think
      of what my own box might contain,
      certainly the letter from the law professor’s wife,
      the one she wrote when he asked me out,
       
      and I said, “You’re married,” and he said, “We have
      an open marriage,” and I thought, “Sure
      you do,” so I said I’d have lunch with him
      if his wife wrote me and said it was okay,
       
      and I thought that would be the end of it, but he brought
      the note to the restaurant where I worked,
      and I went out with him, but it was so boring that even
      he knew it was a stupid idea. How much
       
      she must have wanted to get rid of him, and years later
      I met her again at a dinner party with a new
      husband, and she didn’t remember me, but I placed her
      around three in the morning. My box
       
      would have all the poems and drawings that men
      had tried to ply me with, though most of them
      were pretty romantic, but what is romance but a trick
      on yourself, though a beautiful one,
       
      a lot of work to keep going and worth it when you’re
      deep in the tunnels of your body
      which lead to your heart box with all its swelling
      crescendos and arias of accordion classics
       
      and your brain box full of Hamlet and refrigerator
      warranties and your cunt box with its bongo
      drums and traffic sirens, and I love to think of Whitman’s
      box of notes for “Song of Myself,”
       
      all the little pieces floating like birds over the open sea
      of America before they were anything near
      a typeset page or Pandora’s box, which only became
      hers when she opened it to let loose the flies
       
      of smallpox on an unsuspecting world, the locusts
      of polio, the invisible bubonic future
      that has just knocked on our door, everyone’s body a box
      of cells wanting to break free of its suit of skin.

      from #80 - NFT Poets

      Barbara Hamby

      “I started writing odes about 25 years ago and have fallen in love with the form if you can call it that. The ode has been defined as a poem of praise, but I’ve found it to be much more complex. The praise is a starting point for a poet, a way to grapple with all the big questions we face as human beings—who am I? Why am here? Life is short, so what do I do with it? Keats used his nightingale to address these mysteries. Walt Whitman used himself. One of my big questions is what does it mean to be a woman and how do I navigate the land mines that women face. ‘Box Ode,’ especially, deals with this.”