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      October 31, 2019Budget CutsDanny Eisenberg

      Image: “Loss for Words” by Asher ReTech. “Budget Cuts” was written by Danny Eisenberg for Rattle’s Ekphrastic Challenge, September 2019, and selected as the Editor’s Choice.
      At some point we realized what we owed
      in back pay we couldn’t pay back; our goose
       
      was cooked, our pancake overturned, kapowww!!
      the wet half smooch-side to the linoleum. It had been
       
      a good ride though, hadn’t it, us on our steeds,
      galloping in time to the cardinals to meet up again
       
      at the antipodes, each of us richer and ready to spend
      a severed arm or a leg on amputee-strength painkillers—
       
      Those were our Chernobyl days, our Exxon Valdez days,
      our Hurricane-Andrew-for-days days, all white
       
      and no yolk, all oil and nucleotides and
      mitochondria, the powerhouse of the cell. Yes,
       
      there was a man’s man, looking each of us back
      from the lake; and also there, lingering abreast, a stooge,
       
      his Charlie Chaplin suit the mushroomy shade
      of disaster relief, his fingers as tightly gripped
       
      around the handle of his tattered attaché as were his teeth
      around the affricate he stitched onto the label: Ah-touch-ay
       
      (always a touchy subject). We must have known
      he would come back to kill us for insulin money, eventually,
       
      a thing we knew like we knew how to cure cancer:
      the diagnosis is the vaccine itself. Reapers come
       
      in pairs now, like Bible salesmen, to toll the bell and wait
      for me to invite them into my godless kitchen
       
      where pot after pot of leaden tap water froths
      and boils, turning to gold I scald myself to touch.

      from Ekphrastic Challenge

      Comment from the editor, Timothy Green

      “Asher’s photograph invites us to wonder what happened to the owner, how it all went down, and Danny Eisenberg’s response seems to toy with that expectation, forever hinting at the backstory it never actually tells. There’s a delightful sense of suspense to that anti-narrative, and a delightful energy in the voice as it barrels down the page. It’s amazing that such a haunting image can lead to a feeling of delight, but here it does. I also learned a new word in the process—bonus!”