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      November 6, 2014Charles Harper WebbBurka

      The day after a door crushes his thumb,
      the stain that flutters out of his cuticle
      looks, at first, like a black squid
      floating up through a pink sea. Then,
      poised above the nail’s half-moon,
      it seems a black burka with a white
      slot through which dark pupils stare.
       
      “Her face is scarred,” he thinks.
      “She wears the burka to spare me.”
      Then he thinks the eyes are Mom’s—
      not crazed, as in the nursing home.
      Forgiving. Warm. Or they belong
      to some woman he misunderstood,
      rejected, deceived, who loves him
       
      still. Each day, the fluttering mark
      climbs higher on his nail’s flesh-
      colored wall. Bit by bit, it tops
      his fingertip, is clipped, and falls,
      re-joining—like everything he loved
      has done or soon will do—
      the dark.

      from #43 - Spring 2014

      Charles Harper Webb

      “When I was sixteen, playing in rock bands and preparing to become a physicist, if someone had said, ‘You’ll end up a poet,’ I’d have assumed they’d end up swinging a rubber hoe on the funny farm. Now I find I’ve written poems for more than half of my life. So why (besides the groupies and big bucks) do I persist? For one thing, I hope to give to others some of the pleasure that good poems have given me. But I also want to wring more out of the time that I have left—to live, whenever I can, with my awareness, intelligence, and imagination fully engaged. Poetry does that for me.”