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      February 2, 2017Jamaica BaldwinCall Me By My Name

      Between Nina Simone’s teeth and pendulum quiver—
       
      A tiny white misery unfolds
      from the Appalachian hills.
      Men with black lungs
       
      gather in red caps
      for their right to descend
      again. Polished white
       
      women give control
      of their wombs to a salmon-
      skinned savior for a myth.
       
      Alternative fact: he will come for you too.
       
      I’m the brown daughter
      of a white woman who voted blue
      and now has made a nest
       
      called sorrow from twigs of left-
      wing shame, from shards of blue
      glass bottles and jellyfish,
       
      from coral reef blue and eye bruise
      blue, from her there’s plenty of room
      for you blue, but how do I tell her
       
      I can’t live there too? How do I
      tell her she named me after papaya
      flesh and cornhusk, after sweet
       
      juice of black women’s song,
      whose only known border is water,
      who dip sacramental bread in
       
      Obea chant? Slow churned
      memories of the Arawak.
      Did she know they were a poetic
       
      people when she named me?
      Did she prophecy the sap of Ackee tree
      lingering in the ashen grooves
       
      of my knees and elbows?
      Their jerk and rock-steady lilt.
      What I don’t know of them
       
      is the white space of every page
      I’ve not yet written. What I don’t know
      of my people is their name.
       
      A tiny white misery smokes
      meth in the alluvial plains
      of Missouri. Make America great
       
      again! slides through decaying
      teeth dangling from threads
      in the mouth of last-ditch hope.
       
      Alternative fact: I will fight for you too.
       
      I’m the brown daughter
      of a black man from Dallas who died
      like black men do: too soon,
       
      back broke, inevitably. In
      retrospect we should have
      buried him in the worn down
       
      beanie he wore every day:
      yellow, green and black—
      Appropriation or premonition?
       
      Were he here, he’d shrug, say,
      ain’t no surprise. Them white folk
      never meant us t’have too much
       
      slack in that rope. How do I tell him
      I can’t give up like that? How
      do I tell him, he named me
       
      after a place designed to resist:
      cocoa leaves and tamarind breeze,
      cutlass slash, and Parish streets.
       
      Did he know my name
      would call attention to
      how very American I am?
       
      A tiny white misery has spread
      disease-like from every he doesn’t
      mean that, each he tells it like it is,
       
      and words are just words I heard
      from all the well-meaning
      white folk who voted him
       
      in. Between Standing Rock
      and Flint, Michigan
      —I am here.
       
      Between refugee
      and immigrant
      —I am here.
       
      Between birth control
      and rape control
      —I am here.
       
      Between Nina Simone’s teeth
      and pendulum quiver
      —I am here.

      from Poets Respond

      Jamaica Baldwin

      “This piece was written in response to the daily lies espoused by the new president and his administration, the emergence of the phrase ‘alternative fact’ in the political lexicon, and the simple fact of Trump’s presidency.”

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