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      December 9, 2014Cardiac Concussion with DelayStephen Kampa

      1
      According to Witness Protection
      Program copy, they’ve never lost one
      participant (who followed the rules),
      but they have to say that—who’d accept
      protection from a proven failure?
      It’s all in the parentheticals:
      a sure shortcut to bad behavior
      is telling someone how to behave.
      I’ve heard a superb urban legend
      about a crook who relocated
      and was almost immediately
      gunned down when he got to town because
      he disdained his bland new alias
      and picked another, which was also
      the name of a famous local snitch—
      first henchman he met followed him home,
      plugged him in the chest, and blew apart
      the new life he’d failed to learn by heart.
      2
      I sat at a bar once with a girl
      who’d been unceremoniously
      dumped after a long affiancement,
      and she described it as being kicked
      in the chest by a horse. A heartthrob’s
      the forerunner to a heartbreaker,
      she said, and I forgave her her self-
      pity, even though I was drinking
      a beer right there beside her. I knew
      about survival: she was lucky
      not to have died from that blunt trauma.
      (So much for her young German dreamboat.)
      I thought to comfort her with Carruth’s
      lines about the million abuses
      hearts survive; I chose a science fact.
      The best candidate for replacing
      the human heart is the pig heart. For
      some of us, this will be an upgrade.
      3
      I’d like to double-click on a new
      life but know it wouldn’t overwrite
      the old one. Maybe you think I’m just
      joking as you imagine scrolling
      through the titillating checkbox lists
      of personal attributes you could,
      through the miracles of an extreme
      makeover and cheap gene therapy,
      select—at last, the hair you’ve always
      envied, the hazel eyes, the dream-job
      or -wife, the childhood you never had,
      and better yet, the fine character:
      the patience, the grace, the selflessness—
      of course, you can admit how absurd
      this is … absurd, yes, but am I wrong?
      Memory’s the chief mechanism
      of providing us with a lifelong
      sense of humility: as soon as
      you’ve congratulated yourself on
      your tasteful solo, you remember
      all the times you overplayed, and right
      as you acknowledge the lucent depths
      of your compassion, you bump open
      that heavy psychic drawer of trifled
      hearts, your collection of amorous
      gaffes, miscellaneous erotic
      misdeeds—an arsenal of shameful
      quasi-romantic panty antics!—
      and charitable failures. Tell me
      you wouldn’t want to pick a new life,
      as you’d pick a mail-order bride or
      genetically engineered baby,
      when faced with the person your child-self
      never imagined becoming yet
      somehow became. You’re your own double—
      convincing, sure, in the externals,
      but fundamentally flawed in more
      important respects, the ones that would
      distinguish you from doppelganger
      impostors with good improv lessons
      and thick files of sure-fire you-isms—
      you’re disguised as your better self,
      and worst of all, you know why, without
      thinking twice about it, you are not
      who you meant on your best days to be:
      With practice, anyone can master
      sin, and most of us practice. I find
      inattentiveness the easiest
      place to start: you don’t try to sink to
      new depths of peccancy, you simply
      drift off on a little paper boat.
      4
      She said, He may not have invented
      carelessness, but he perfected it.
      Me, too: Carruth said the word survives,
      not heart, although broken hearts do take
      their sweet time killing you. Except when
      it comes to cardiac concussions—
      a kid gets hit with a hard line drive
      to the chest, walks ten feet, collapses;
      an amateur boxer takes one punch
      perfectly placed, drops dead in seconds.
      How telling that when I remembered
      these incidents, I thought death could be
      delayed by days or months: I pictured
      a guy walking around aimlessly,
      buying a gallon of milk, lost in
      the familiar rooms of his life, not
      thinking his ticker would give out. Like
      a judge or gun, the heart has chambers.
      5
      And like a paper boat, the heart sinks,
      for reasons of which, they say, reason
      knows nothing—except the construction
      best loved of logicians is the best
      one for explaining why, bottom line,
      the Witness Protection Program does
      lose people: it follows. Given hearts
      and Polaroids, playlists and enough
      time, participants finally break
      the rules: they talk to goons from back home,
      they reconnect with lost loves, they’re found
      floating face-down in scummy fishponds.
      New names, new vocations, new front doors—
      none of it matters when confronted
      with that urge to escape their escape.
      Call their longing an exit wound: it
      follows. The hired gun will shoot the same
      old man by shooting through the new one.

      from #44 - Summer 2014

      Stephen Kampa

      “The seed for this poem was a strange phenomenon I once read about known as a cardiac concussion, which I somehow misremembered as involving a substantial lag between a sharp blow to the chest and the victim’s subsequent heart failure. My misremembered version led me into a meditation about the way our heartbreak (and indeed all of our experience) follows us into whatever lives we try to lead thereafter, and these ideas dovetailed nicely with another piece of trivia: that the Witness Protection Program has never lost a participant—according to them—but with that one major caveat of participants having followed all the rules. From there, the poem accreted its layers of strange fact and memory and misinformation. I think that if the poem comes to a conclusion (and it may not be a poem’s job to do so), it has to do with what really follows us throughout our lives: not heartbreak, but our way of responding to it—in a word, our character.”