Image: “Self-Portrait as a Prep School Llama” by James Valvis. “The Grass Ceiling” was written by Kevin West for Rattle’s Ekphrastic Challenge, December 2024, and selected as the Artist’s Choice.
Comment from the artist, James Valvis: “I love the mixture of whimsy and woe in this poem. I’m especially impressed by the whimsy. Poets are often too serious. It’s a llama in a suit! It’s ridiculous. (Kind of like its artist.) What’s not ridiculous is the poet’s skill and tight wordplay. Kudos to the winner, and a hearty thanks to all the others that made the choice its own challenge.”
Image: “Paradigm Shift” by Morgan Reed. “After Rain” was written by Michael Pfeifer for Rattle’s Ekphrastic Challenge, December 2024, and selected as the Editor’s Choice.
Comment from the series editor, Megan O’Reilly: “For a relatively short poem, ‘After Rain’ speaks volumes, using brief imagistic phrases to create a narrative that feels real and multifaceted. Morgan Reed’s image does this, too—the use of color and sense of movement allow the viewer to imagine the scene coming alive with sound and motion. The poet packs a great deal of meaning into illusorily simple phrases like ‘shape their ephemera,’ ‘confident as a mystery,’ and ‘a train of sand and fear.’ That one of the women in the painting—all of whom have their backs turned to us, in an artistic decision that seems significant—is described as having a face like ‘a collapsing umbrella after rain’ is both a beautiful, evocative piece of imagery and a congruous summation of the main themes of the painting.”
Image: “Paradigm Shift” by Morgan Reed. “My New Dress” was written by Sarah Carleton for Rattle’s Ekphrastic Challenge, November 2024, and selected as the Artist’s Choice.
Comment from the artist, Morgan Reed: “What a difficult decision! There were many interesting and imaginative poems submitted, including a few that were remarkably parallel to my own thoughts in making the painting. ‘My New Dress’ takes the image in a different direction, but in the end, I was charmed by its freshness, sensory joy, and closing flourish.”
“The Scene Is Set” by Rose LennardPosted by Rattle
Image: “Zaubererturm” by Jennifer S. Lange. “The Scene Is Set” was written by Rose Lennard for Rattle’s Ekphrastic Challenge, October 2024, and selected as the Editor’s Choice.
Comment from the series editor, Megan O’Reilly: “‘The Scene is Set’ is masterfully composed in every way–the flawless rhymes, the fluid cadence, the depth of meaning. Lennard’s descriptions of Jennifer S. Lange’s piece are both visually and acoustically striking: ‘vine-wound, cloud-capped, tall ships marooned.’ The poet references ‘shades of myth,’ a fitting interpretation of ‘Zaubererturm’ and its soft, subtle invocation of fairytale and folklore. There’s an otherwordly quality to the image, interpreted by the poet as a different kind of reality (‘time slows … reflections warp…horizons bend …’). The poem’s ending, and its depiction of a temporal, illusory world, feels like a perfect homage to a gorgeously enigmatic work of art.”
Image: “Zaubererturm” by Jennifer S. Lange. “In the Clearing” was written by Devon Balwit for Rattle’s Ekphrastic Challenge, October 2024, and selected as the Artist’s Choice.
Comment from the artist, Jennifer S. Lange: “I chose the poem ‘In the Clearing’ because, while it is like some other poems entered that use the tower as a person, this one spoke in first person and spoke well, seeing things from a tower’s perspective. I particularly liked the lines about the tower not being alone despite people assuming it to be, and the definition of grey being really mother of pearl—the ability to differ a great mass of small detail is a skill people seem to be losing, and I am glad about any reminder to look more closely. The most delightful however I found the last line, ‘I make a space for story,’ which to me as an illustrator is the best thing anybody can say about my images—weave a story, tell yourself what’s going on, interpret, play with it, it’s yours now.”
Image: “Have you ever eaten breakfast here before?” by Barbara Gordon. “Reverie Work Ahead” was written by Zeid for Rattle’s Ekphrastic Challenge, September 2024, and selected as the Editor’s Choice.
__________
Zeid
REVERIE WORK AHEAD
two traffic barrels wonder if they should crack the street / split the asphalt like an egg / see what spills out. or if they should imagine themselves as spiderwebs / snaring a city’s descending ashes / clung tightly to circular frames. one barrel whispers to the other / the reply is a stuttered hymn / a plastic rasp. they are the pulse of rust and rain / flickering stripes / smoke-glint on iron / ghosts of a steely and dust-bitten world. they lean closer / barricade lights nearly touching / soft pulses under blue sky. they whisper of silver platters and things they cannot eat / oil-slick dreams sliding between orange bands. a yellow caution tape snake slithers by / coiling in a wind’s clutch / curling toward and away from the barrels. they wait for the night crew / who’ll roll them back to their stations / with street tremors below weighted bases. for now / they press into each other’s shadows / the city’s hum beyond the frame / the asphalt cooling as the day exhales. still / the question hovers like fog above street / should they crack the ground beneath them / or let it hold / fixed / silent / as / fault / or as choice?
Comment from the series editor, Megan O’Reilly: “This image, on its own, is a poem, the way the artist breathes humanity into commonplace objects and winks deftly at a more complex narrative. ‘Reverie Work Ahead’ puts words to that narrative, imagining the untold story of two traffic barrels. It takes a skilled writer to achieve this without veering into absurdity, and Zeid pulls it off impressively. Inspired phrases like ‘ghosts of a steely and dust-bitten world’ and ‘coiling in a wind’s clutch’ captivate and give dimension to the world the poet creates. The last line, in the form of a question, feels profound and consequential, and reminds the reader that great poets and artists can create the deepest meaning out of the most ordinary subjects.”
“Tanka [construction cones]” by Cindy GuenthermanPosted by Rattle
Image: “Have you ever eaten breakfast here before?” by Barbara Gordon. “[construction cones]” was written by Cindy Guentherman for Rattle’s Ekphrastic Challenge, September 2024, and selected as the Artist’s Choice.
Comment from the artist, Barbara Gordon: “It’s amazing how all of the poets constructed so many different stories about my painting. I’m down to these two. This tanks really captures the essence of the painting, I think: the feeling of the two barrels leaning over to talk: a little quirky, a little funny, a little tragic. The barrels and cones talking to each other, telling little stories.”