July 29, 2021

Ekphrastic Challenge, June 2021: Editor’s Choice

 

Sunline by Annie Kuhn, painting of towels hung across a clothesline

Image: “Sunline” by Annie Kuhn. “Learning to Swim” was written by C.J. Farnsworth for Rattle’s Ekphrastic Challenge, June 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

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C.J. Farnsworth

LEARNING TO SWIM

Mother fast-friended Daddy’s distant pool cousins
So to be sure we could swim
In their inground kidney with a corkscrew
Slide we bit our tongues as mother jerked
Orange floaties up to our throats
And yanked our hair under latex blossoms
We kicked and screamed and held
Our breath with arms over our ears
As they roared kick/jump/keep your mouth shut
While Daddy’s-Mama’s-Brother’s-Girl
Smoked menthols on a chaise
In a gold bandeau drinking
Gin after gin after gin
Because, Mother said, once upon a time
She was a beauty queen before
She had a boy with sugar they called ‘Tink’
And Katrina with gold skin
And gold hair and gold ankle
Bracelets (a trophy come to life)
Who sometimes showed up
With a long-haired/shirtless/round-shouldered boy
To pick-up a few bucks
While I snuck into the house
To use the drowning-in-pink
Bathroom that was inside
Daddy’s-Mama’s-Brother’s-Girl’s bedroom
To sit at her wicker vanity wondering
Why the sun made my skin red not gold
To clip on earrings that hung
Like bunches of purple grapes
Before sloshing out the sliding doors
Connecting the bedroom to the slab patio
Right beside the pool
Convinced Daddy’s favorite Frank Sinatra’s
Bedroom must be just like this
Until Mother announced it was getting late
Until we packed into our green Pontiac
Until Mother, as heavy as the wet towels
She piled in my arms
Told me to put ’em up
Until I pinned each towel
Until all the corners touched

from Ekphrastic Challenge
June 2021, Editor’s Choice

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Comment from the Editor, Timothy Green: “Most of the poems this month, it seemed, in involved childhood memories triggered by Annie Kuhn’s watercolor, but I found ‘Learning to Swim’ to be the most engrossing. It’s always interesting to stroll through someone else’s nostalgia, but especially when the past is painted so vividly. The lack of punctuation captures the breathlessness of a young narrator, and the repetition at the end conveys an impressive range of emotions.”

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July 22, 2021

Ekphrastic Challenge, June 2021: Artist’s Choice

 

Sunline by Annie Kuhn, painting of towels hung across a clothesline

Image: “Sunline” by Annie Kuhn. “Color / Off-Color” was written by Emily Pease for Rattle’s Ekphrastic Challenge, June 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

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Emily Pease

COLOR / OFF-COLOR

Fulfilled, we stripped the bed and washed it all—
the sheets and pillow cases, the pretty dresses
we wore while dancing, yours the bronze
orange, mine the dappled pink you say
I look sexy in—plus the blue cape you
swung last night like a lasso, doing your
theatrical cha-cha. We let all that cotton

mix in the machine, hummed to the tune
of slosh and spin. It was so hot, even
the early morning air said Morocco.
Half-naked, we made iced coffee, ate
the remaining mangos. Later, when
we headed out to the line, I said you
might at least put on shorts, and you

answered, let the neighbors enjoy.
Who couldn’t love a woman like that?
Everything you did was colorful
off-color, like your canary-dyed hair.
We stood at the clothesline dripping
in the heat, pinching clothespins.
Piece by piece we hung the laundry:

stripes with stripes—pink/white/yellow
green/white/pink/blue—tangerine
bed sheet—lavender/white/pink/
orange. Our dresses sagged softly
on the line, draped at the neck as if
we still slinked in them, skin slippery
with sweat, twirling, singing, satisfied.

from Ekphrastic Challenge
June 2021, Artist’s Choice

__________

Comment from the artist, Annie Kuhn: “So many of the response poems captured me and held me rapt, but this poem, a painting in words of a rapturous memory, captured the feeling that inspired my painting. I painted ‘Sunline’ in remembrance of my honeymoon in the Caribbean. My husband and I stayed in a rustic hut with an outdoor shower and forgot the real world for a temporary tourists’ paradise. Even the towels on the line seemed happy for us. ‘Color/Off Color,’ too, is a specific memory, a vivid portrait of love—one that makes the reader fall for the colorful subject and hope that these women enjoyed many more dances together.”

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June 29, 2021

Ekphrastic Challenge, May 2021: Editor’s Choice

 

Contradictions of Being by Neena Sethia, image of a head, a leaf, and other shapes on a blue background

Image: “Contradictions of Being” by Neena Sethia. “What It Is Is What It Is Not and What It Is Not Is What It Is” was written by Karan Kapoor for Rattle’s Ekphrastic Challenge, May 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

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Karan Kapoor

WHAT IT IS IS WHAT IT IS NOT AND WHAT IT IS NOT IS WHAT IT IS

A picture of God is not God
the way a painting of water is not wet.
An image of the sun is not hot

and all those poems about poems
are just something else. Leaves, alive
or autumnal, time alone dictates.

Disembodied lips of a corpse
cast a shadow of a blackbird
with an impressive bill—

boldly, the shadow sings of its flaw
of colorlessness. Remember, your flaws
are yours, you are not your flaws.

A face behind a face makes the one
in front a mask. Affected love is not love.
Affected harshness is still harsh.

A woman with waves for hair
does not necessarily carry
an ocean inside her

head. Notice she begins
only as a bubble
of thought. Everything blue

was once green. A star is not a star
but its memory, its history. Looking back
isn’t wanting. Memory of love is not

love. Desire to help isn’t helping.
The winged-man also falls. The horse
in my head is not the horse

in your head. A dancing man
isn’t evidence for music. The eye you look
into is always looking right back.

A flying white bird is not always a sign
of freedom. Your face and flesh
is not your self. All that is lost

is somewhere found.

from Ekphrastic Challenge
May 2021, Editor’s Choice

__________

Comment from the Editor, Timothy Green: “In his note that came with the entry, Karan described this poem as ‘a string of aphorisms, though born from the same impulse as a poem. And in my head, all these aphorisms are waving a flag that is Neena’s painting.’ I can’t put it any better than that. The poem explores the central theme of the painting, but verbally, creating a deep dialogue between the two forms of art. Each line is memorable and surprising, and their accumulating mystery invites multiple readings—and further explorations of the painting.”

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June 24, 2021

Ekphrastic Challenge, May 2021: Artist’s Choice

 

Contradictions of Being by Neena Sethia, image of a head, a leaf, and other shapes on a blue background

Image: “Contradictions of Being” by Neena Sethia. “Gods, Monsters, and Complex PTSD” was written by Elizabeth Train-Brown for Rattle’s Ekphrastic Challenge, May 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

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Elizabeth Train-Brown

GODS, MONSTERS, AND COMPLEX PTSD

I feel unraveled
I feel like scripture
I feel like the words of prophets
torn apart
translated
retranslated
rewritten
spread to countries that don’t care
what I have to say.

I feel like taking out the middle man
taking out the writer
the pen
the page
burrowing my face through the undergrowth
slithering through the cracks
of a confession booth
and whispering my sins
through a mouthful of leaves.

I feel like when someone drops a book
in a bath
and a touch of everything written in me
circles
the
drain
you can dry me
shake your bathwater from my spine
but I will never be the same
and you will always know the difference.

I feel like a woman’s words
    in a man’s book.
There
but in his voice.

from Ekphrastic Challenge
May 2021, Artist’s Choice

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Comment from the artist, Neena Sethia: “I loved this poem because it talks so beautifully about voice and its various contradictions, language and translations and everything that gets lost in between. There are several memorable lines in this poem, but my favourite was its end: ‘I feel like a woman’s words in a man’s book. There, but in his voice.’ I think that these lines themselves encapsulate the whole painting.”

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May 27, 2021

Ekphrastic Challenge, April 2021: Editor’s Choice

 

While Thinking About Snow and Ice by Jojo, image of intersection lines on a chalkboard

Image: “While Thinking About Snow and Ice” by Jojo. “White Spots” was written by Elizabeth McMunn-Tetangco for Rattle’s Ekphrastic Challenge, April 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

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Elizabeth McMunn-Tetangco

WHITE SPOTS

Sometimes you look for something else.
A corner where there might be rust.

An eyelash width.
A speck of dirt.

How you can use a poem’s words to keep
your distance.

Put a man there, in the picture, just
to see.

(You Google it and see a thousand
small attacks: the man a hacker now, a hood over his face.)

It is too much.

You change tacks and think of sugar,
silver tongs to lift each cube.

Whiter than

white.

The space around
that.

Next you see an envelope, lose
it again.

You wonder if there is a Rorschach test
for love (of course there’s not).

You think of how a friend said once she couldn’t tell
when you’re in love.

The more you look, you see the frayed
spots, little

gasps.
You stop to breathe.

You think of wings, or long wide
oars.

You remember this past winter, flying snow
geese, in a sheet.

How you could see the things you wanted to see

there (if you had looked).
How they slept next to the highway

in small heaps.

from Ekphrastic Challenge
April 2021, Editor’s Choice

__________

Comment from the editor, Timothy Green: “Elizabeth McMunn-Tetangco has won the Ekphrastic Challenge five times now over the seven years of the series and seems to be a master of the short line. She wields them like a scalpel, carving deeper into the image with each quick stroke, exposing unseen details and revealing the mysteries that lie beneath.”

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April 29, 2021

Ekphrastic Challenge, March 2021: Editor’s Choice

 

Into Thee by Susy Kamber, collage of a red dress seeming to materialize from nowhere

Image: “Into Thee” by Susy Kamber. “Darling” was written by Jonathan Langley for Rattle’s Ekphrastic Challenge, March 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

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Jonathan Langley

DARLING

He felt shame and I did not,
The fire alarm, the whole school, the worst timing:
A play. And both of us in dresses, lipstick, wigs.
There was laughter, and pity. Nothing worse a boy could be:
A girl.
He felt shame but I felt pretty. Thought:
I would like to do this again. We were ten
And also innocent.

In college I was Goth and he was not. We didn’t speak.
My fishnets and mascara, black lipstick
And black petticoat for skirt made me feel
Like one of the girls
On the dancefloor
Who I loved.
In college he was butch and gay and went hunting.

He lives with his husband now;
I with my wife.
I’m too fat and old and beardy to pull off the femme boy shtick
And he: conventional careerist bore.
I like my life and who, the man, I have become.

Once or twice a year I remember the red dress
And their faces. I wonder
If perhaps I missed a choice.
I like my life. The man who I’ve become.

Once every two years I have a thought about the dress.
The threadbare feeling
Growing wispy in my mind.
Moth and rust
Wear and tear
Pretty and a shame.

The ten-year-old who could have grown up different
Needs darning,
Darling.
Patching. New cloth cut for grafting.
Skin and bright eyes and time and choice ahead.
Slowly disappearing.

It’s not like the one I see each day is faring better.
Much of the faded detail now filled in by memory.
People look at this and also stare.

This old thing? I just threw it on.

from Ekphrastic Challenge
March 2021, Editor’s Choice

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Comment from the editor, Timothy Green: “A poem is a journey through possibility; it’s a momentary shift in perspective that can contain a whole world. ‘Darling’ is a fine example of this magic at work. It’s also full of the music, with its internal rhyme and repetition, that’s required to cast a spell.”

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April 22, 2021

Ekphrastic Challenge, March 2021: Artist’s Choice

 

Into Thee by Susy Kamber, collage of a red dress seeming to materialize from nowhere

Image: “Into Thee” by Susy Kamber. “Supernatural” was written by Laura Theis for Rattle’s Ekphrastic Challenge, March 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

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Laura Theis

SUPERNATURAL

mist is water

without surface

and yet it will not

 

only swallow the past but

bring it up again too

if it feels in the mood

 

let me tell you how

it steps through the vapour

towards you now

 

not like a twin trapped

in a mirror reaching both hands

towards you through the glass

 

or a pinniped

coming up for air

from the unsounded deep

 

not like a sleeper breaking

through a dream’s stillness

into the clang and dry of the waking

 

no it emerges

composed and unhurried

moving backwards like a riddle

 

a girl wearing not so much

a dress as a violent

blaze of chenille

 

determined to make you

say that you now

believe in ghosts

from Ekphrastic Challenge
March 2021, Artist’s Choice

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Comment from the artist, Susy Kamber: “I love the intent of the meaning of your poetic response. For me it describes determination. In this instance a belief in ghosts. How does a belief in anything occur? The description paints this ghost-like appearance powerfully enough for me, in such descriptive words, that in the end I might also begin to wonder. Ghosts playing words into a determined desire to have you in their field and maybe that’s something only ghosts can do.”

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