March 30, 2021

Ekphrastic Challenge, February 2021: Editor’s Choice

 

Cloud Dance by Claire Ibarra, photo of birds and trees in silhouette against a lake, mirrored on the surface of the water

Image: “Cloud Dance” by Claire Ibarra. “Telling It Through a Broken Lens” was written by Bola Opaleke for Rattle’s Ekphrastic Challenge, February 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

__________

Bola Opaleke

TELLING IT THROUGH A BROKEN LENS

So it is better to speak
remembering
we were never meant to survive
—Audre Lorde

We know that our bones can
hardly rescue our skin from carrying
the weight it carries, but if you looked up,

like us, you will see towering trees—
how their leafless branches pretend to be the sky’s veins
filled with wind, not blood. Today,

there is a mirror in the sky
with which everything attempting to touch it
replicate itself. They say, a bird

only knocks on a door when closed.
Sometimes, the cloud feels dangerously pinched
like a black man in his home country.

& like a black man in his home country,
it scampers away from its spot to find another,
then another & another. Isn’t this the portrait

destiny painted of my people? Isn’t this
how things that never speak speak about us
in hushed voices? We see the sky’s bruises

but choose to call them patches
of the cloud. We raise our heads skyward to listen
to what we know will never speak back.

To justify the domestication of our ears
inside the prison of our pockets, we make silence
into a prayer to the unseen god, & let it

explode through the lips of our entangled nights.

from Ekphrastic Challenge
February 2021, Editor’s Choice

__________

Comment from the editor, Timothy Green: “This month’s mind-bending image seems full to me of a strange longing that’s difficult to describe. Everything is mirrored but the birds, which are somehow free from the constraints of this universe. Bola Opaleke’s poem matches that intensity in a similarly abstract way, deepening the metaphor and pushing it into new territory. This was the poem that I kept returning to, and it felt more profound each time.”

Rattle Logo

March 25, 2021

Ekphrastic Challenge, February 2021: Artist’s Choice

 

Cloud Dance by Claire Ibarra, photo of birds and trees in silhouette against a lake, mirrored on the surface of the water

Image: “Cloud Dance” by Claire Ibarra. “Faces in the Clouds” was written by Devon Balwit for Rattle’s Ekphrastic Challenge, February 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

__________

Devon Balwit

FACES IN THE CLOUDS

Each day, we wake again if we are lucky,
reassembling with only minor variations.

Too many, and we are no longer ourselves.
Too few, and we despair, the symmetry
uncanny. Like fractals, we fissure

at regular intervals, blind to our beauty,
the larger patterns we are part of. We must look

outside ourselves to discover what we are, to see
our lungs in the naked maples, our faces

in the clouds. Small, we are no small thing
as we wake again daily, lucky,

at almost regular intervals, beautiful and blind
to our honeycomb, our nautilus chamber,
our bowed self and its Chladni patterns.

We mustn’t worry if we cannot make it out.
Our beauty doesn’t depend on our knowing.

from Ekphrastic Challenge
February 2021, Artist’s Choice

__________

Comment from the artist, Claire Ibarra: “For me, the theme of renewal as an integral part of our human condition is portrayed in ‘Faces in the Clouds.’ It reveals the struggle, but also recognizes the beauty in that effort. As the poem states ‘finding perfect symmetry,’ the image and the poem seem in harmony with each other. The idea of fissure and reassembly adds a sense of motion to the image. Also, I’m struck by the last line of the poem, somehow heartbreaking and yet hopeful at the same time.”

Rattle Logo

February 25, 2021

Ekphrastic Challenge, January 2021: Editor’s Choice

 

Bucket by Danny Mask, a bucket full of water with ripple rings

Image: “Bucket” by Danny Mask. “Bound for Glory” was written by Melissa McKinstry for Rattle’s Ekphrastic Challenge, January 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

__________

Melissa McKinstry

BOUND FOR GLORY

Take to heart these instructions with which I charge you this day.
Impress them upon your children.
–Deuteronomy 6: 6-7

Another Saturday. Johnny Cash chugs This train is bound for glory
from the old Philco in the tack room. Kittens in the sack bound for the river.

Dogs bound against chains, wanting what’s mewling in the sack.
Rhode Island Reds done laying are caged—yellow eyes wild,

they growl and peck the wire in the truck bed next to the kittens.
The sky is a week-old bruise over it all. At the auction barn,

someone’s bound to bid low for chicken dinner. One of us kids
will ride with Dad, fiddle the radio knob on the old Chevy,

watch when he chucks the kittens into the Green River.
And we’ll come home—empty cage, sack gone, oats and a bale of alfalfa

in the truck bed for the pony. Our barn coats smell like motor oil
and petrichor. Mom’s already ordered a new box of chicks

from Sears Roebuck. The postmaster will call in a few weeks
to tell her she’s got a package making a racket. We’ll have a heat lamp ready.

As clouds lower over the corral, we’ll sit on the top rail, kick small boots
against the fence, and watch Clarence Mallory’s step van open its maw

to swallow the pigs who squeal at what’s coming. Each will hang
to bleed from the hook, eyes leaking out the mystery. Bound to ritual,

Mom and Dad have shown us how to put faith in something unseen.
Now Chinook winds cross the plateau, Mt. Rainier darkens.

Buckets of rain water soak blood into the dirt, and I latch the barn door
for the night. We wash for dinner, hold hands for grace.

God is great. God is good. Let us thank Him for our food.

from Ekphrastic Challenge
January 2021, Editor’s Choice

__________

Comment from the editor, Timothy Green: “Some of the most powerful ekphrastic poems use the artwork like Proust’s ‘madeleine moment,’ pulling us deep inside an involuntary memory. In ‘Bound for Glory,’ the details are so precise and vivid, it quickly feels like our memory, too, leaving us transported and transformed. Importantly, the meaning of the memory is left unsaid, allowing the reader to feel its weight.”

Rattle Logo

February 18, 2021

Ekphrastic Challenge, January 2021: Artist’s Choice

 

Bucket by Danny Mask, a bucket full of water with ripple rings

Image: “Bucket” by Danny Mask. “Call Me Boy on Saturdays” was written by Jackson Jesse Nash for Rattle’s Ekphrastic Challenge, January 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

__________

Jackson Jesse Nash

CALL ME BOY ON SATURDAYS

We knocked doors
and when a yes came for a carwash
we asked if they’d fill our bucket,
removing the sponges and chamois,
the bottle of car shampoo
from the local garage
and hand over that green plastic money-maker
to quench our thirst for coins.
We scrubbed, suds dribbled,
rippled in rivulets
seemingly swallowed
by thirsty gaps in the bonnet,
and if they didn’t have a hose
(oh God, please have a hose),
we’d ask for another bucket load,
two, three, four, to rinse our labor
from car to drain to pocket,
endless heaving, hurling,
watching water
hang

for slowly curling moments in the air
like 5 liters of glycerin
before exploding
over clean windshields and us,

two kids, 10 years old,
we sold our wiper blade arms,
our skinny please sir charms,
bargaining hard
with Michael’s Dickensian urchin smile,
fueled by that never-ending gasoline of Saturday!,
giving sponge baths
to the red rust-buckets of Galleywood,
pail hanging jaunty in the crook of my best friend’s arm,
a vat of charisma,
the tool of a car washing cult leader.
At his mum’s council flat
we’d count the pennies,
he’d claim extra for the sponges
or the shampoo, the chamois,
anything he thought I’d forget to tally,
but I never argued,
let it spill easy from my mind
like the cheap cola we poured on the pavement
just to watch it fizz,

because I was there
for the old man downstairs with failing eyes
who thought we were cousins,
the outlines of our matching blonde curtains
and black t-shirts—mine Taz, his Sonic—
washing rheumy into something related,
he’d shuffle out into the bleach stinking stairwell,
stalling, searching for something
to wipe away the boredom, anything
to start his engine,
drive some conversation,
in his hand a bag, shaking
hard sticky sweets we’d never eat,

and then he’d ask my favorite question:
How many cars did you wash today, boys?
and I silently prayed for Michael
(oh God, please don’t give it away)
not to ever laugh,
not to ever, ever say
but she’s a girl!
I would have paid all my pennies,
washed mud-caked jalopies
bare-handed in a hurricane,
peeled bugs off car windows until the end of time,
knocked doors until my knuckles bled,
cracked all my teeth
on those rock-hard prehistoric sweets,
flung fifty buckets of icy water
over my craving little girl head,
just to feel the thrill
of hearing that old man call me boy
one more time
on a Saturday.

from Ekphrastic Challenge
January 2021, Artist’s Choice

__________

Comment from the artist, Danny Mask: “‘Call me Boy on Saturdays’ is an inspiring and youthfully happy, fast clip, high energy jaunt, following two young entrepreneurs as they wash cars. The winner of this challenge engaged my imagination with an easy-going, relaxed, well-grounded very relatable story, guided by conversational living room logic. I was there with them on their journey, all along the way! This poem entered my hard heart by giving me a reason to care, it had a strong sense of the writer’s world, and brought back strong memories of my own childhood, when my twin brother and I climbed up and down tall trees to get mistletoe and sold it door to door at Christmas when we were 10 years old. The winner of this challenge is a purposely breezy, sweet, self-conscious autobiographic narrative, that, thank god, is not too long or dense. It uses clear—with a hint of vernacular—conscious, concrete, figurative language, with a tinge of nostalgia.”

Rattle Logo

January 28, 2021

Ekphrastic Challenge, December 2020: Editor’s Choice

 

Old by Dominique Dève

Image: “Old” (acrylic on paper, 24x32cm, 2018) by Dominique Dève. “A Horizon Is Vague at a Distance” was written by Martin Willitts Jr. for Rattle’s Ekphrastic Challenge, December 2020, and selected as the Editor’s Choice.

[download: PDF / JPG]

__________

Martin Willitts Jr.

A HORIZON IS VAGUE AT A DISTANCE

I had tried to construct her memory,
but the image is grey winter clouds
before a snow storm breaks silence
in half, flakes like skin, yank-rips off
like bandages. I can’t remember
the good days cross-stitched. Every
haunting footstep, every turnstile
to an exit or entrance, every spinning-
jenny making fragments, splintering
again, again. Memory is muddy now.
It’s been too long, too many seasons,
too many things we never said, too
much shattering. When does memory
begin or end? splinters glass? I try
assembling pieces that don’t fit.
I mold her face out of clay.
Each particle of memory dissolves
as snowflakes on a tongue, crumbles
whatever we needed desperately to say.

from Ekphrastic Challenge
December 2020, Editor’s Choice

__________

Comment from the editor, Timothy Green: “So much emotion bleeds from this poem, which transforms the painting into a fading memory, that the sorrow and longing feel inexhaustible. Every time I re-read it, I find I’m holding my breath by the end.”

Rattle Logo

January 19, 2021

Ekphrastic Challenge, December 2020: Artist’s Choice

 

Old by Dominique Dève

Image: “Old” (acrylic on paper, 24x32cm, 2018) by Dominique Dève. “Wilhelmina” was written by Kyle Potvin for Rattle’s Ekphrastic Challenge, December 2020, and selected as the Artist’s Choice.

[download: PDF / JPG]

__________

Kyle Potvin

WILHELMINA

Back home, behind some books: a portrait frame,
her painted face. None left to share a clue
to family history, her maiden name
is lost to me. She looks at me askew

as if to dare, “Know me.” Somehow I do
when I say her name. Wil, from William, but
feminine, whispering desire. Helm, too,
offers hints: protection, as in helmet.

Once, forehead lined as ancient text, she gave
me a ruby ring—too big for my hand.
In church, I’d watch the facets spark, feel brave,
gold band a shield. Perhaps that’s what she planned.

She is Madonna with her telling stare.
I say her single name for strength, a prayer.

from Ekphrastic Challenge
December 2020, Artist’s Choice

__________

Comment from the artist, Dominique Dève: “The poem corresponds well to my state of mind when I painted this portrait.”

Rattle Logo

December 29, 2020

Ekphrastic Challenge, November 2020: Editor’s Choice

 

Photograph of a crane leaping at another crane behind its back

Image: “Leaping Crane” by Kim Sosin. “Birdwoman” was written by Lexi Pelle for Rattle’s Ekphrastic Challenge, November 2020, and selected as the Editor’s Choice.

[download: PDF / JPG]

__________

Lexi Pelle

BIRDWOMAN

I hurried myself into this new life like it was a bullet
train that could leave without me. Violent. The steel
wool of an inner child’s drawing
of a rain gray cloud come to life
to tear the rest
of your T.V. dinner off your plate.

Turns out everything I imagined we could be
is not enough to scrub who we are

from the second stomach of my chest.
Turns out you really can’t change people
and now every romantic comedy is sighing
its Splenda-ed happy ending in my wake.

Some days I wash the windows so you will see
how clear the outside of our home has become

while it waits for me. Fold
your socks so that it always
looks like one is eating the other. Leave
the white shell shards in your eggs
so you won’t ever forget how much had to break
inside me to become
the kind of girl
that would fear you enough
to always make you breakfast. I am no cook.

I am just a bird married to a bird
thinking that is enough to stop this sad,

splendid sky
from falling us
out of this godless blue.
It is the anniversary of the day
I stopped talking
about going back to school.
Started learning how to love
trying
to make you love me
and the daughters trapped
in all the pickles jars I was too weak

to open on my own.
How green this drowning has become.

How navy the nights
you came in
and I pretended to be asleep.
I was
knocking on the doors
of every pink dream and begging
them not to see me as a wolf.

The arguments
about traffic
and date night
and sex and bedtimes
and my family
and your family
and our family
and the chores
and the chore of discussing the chores
and the chore of keeping quiet over keeping clean
all fragranced in my hands like the discarded pith of an orange.

The delicate palmistry of a future
we to-do listed into a past

that would become the fight most travelled by.
The days that got us here
equal parts dull
and deli meated
and holy.
Memories such martyrs
for sacrificing themselves into a wide
and out of focus sea.

If forgetting is the only thing that can save us
then I will tear up every love poem I ever wrote to you.

The stanzas made out of Christmas cards
and sitcom laugh tracks.
A sliced,
but smiling soundtrack
to distort the silence.

See how my happiness backgrounds for you?
See how we are becoming those warnings about wildlife

with bottlecaps cupped
in their bellies?
How little
difference there is,
to a woman in love,
between danger and hope?

Those kisses that glitter like litter
does long after it’s been digested.

The silent photograph
our first daughter took of us
fighting at the family picnic.
The one that I framed
and then hid
so that the birdwoman inside it
could never get out.

In it, I am screaming,
screaming

at you.
My mouth opened so wide
that if she hadn’t been there,
if she hadn’t taken it,
I would have displayed it
on the mantelpiece
and told everyone
I was singing.

from Ekphrastic Challenge
November 2020, Editor’s Choice

__________

Comment from the editor, Timothy Green: “From the first line break, this poem is engaging—like a bullet train not a bullet. It grabs me, and for three pages never lets go, with as many twists and turns along the way as the first lines promise, traveling farther from the original image than seems possible. It’s a bit of a cliché to call a poem a journey, but this one truly is, and there’s something honest and intimate to find once we reach its powerful destination.”

 

Tonight’s guest on the Rattlecast is Skye Jackson! Join us live here

Rattle Logo