October 24, 2023

Alexandra Umlas

THE AMERICAN POLITICAL SESTINA

… the American political poem is a safe poem.
—from “Political Poetry” by Kwame Dawes

A daughter asks her mother if humanitarian is the
same thing as volunteer. They are an American
family—a wine-salesman, a teacher, far from political.
They eat boxes of cereal, pet their cats. Sometimes a poem
will begin to form in the mother’s head, and life is
slow enough that there is time to write it, safe
 
from forgetfulness, on the page, which is also safe,
because even when it gets there, it can stay put. The
cat purrs in the corner. Sometimes dinner is
cooking on the stove. The National Public American
radio station is playing news or sometimes a poem
will weave its way onto the station. Sometimes it’s political,
 
but mostly it’s a poem about nothing political,
about hats, or who wears them, or about other safe
activities, like eating a peach. Or sometimes the poem
is slightly political, but the message is quiet, the
lines full of assonance and other beautiful American
things like sitting in a park one evening because it is
 
a Tuesday, and you can. Sometimes the poem is
filled with a quote about something, maybe political,
but the author of the poem is an American
and likes to write sestinas, and we know how safe
sestinas are—all those words repeating so that the
message just keeps recycling. The words in the poem
 
are the, American, political, is, safe, and poem,
because the careful author of the poem is
trying (of course) to write more than just words, the
important stuff evades her, in part because the political
is not the cereal box or the purr of the cat or anything safe,
and she is driving with her daughter on American
 
roads, and there will always be the problem of American
writers wanting to make a difference with a poem,
and the woman’s daughter is just coming home safe
from school and she asks something—she is
listening to the radio, listening to the news, the political
comes into the car. Why am I the one eating the
 
snack, safe because of where I was born, (on American
soil) but the girl on the radio is running from bombs? No poem
can explain this. Fair is the opposite of political.
 

from Poets Respond
October 24, 2023

__________

Alexandra Umlas: “On Monday I took my daughter to get a treat after school. On the way home, we were listening to NPR’s replay of the morning news that described people leaving their homes in Gaza. She asked me how it is possible that she can be eating a snack while a girl in another place is leaving home because of bombing. That night, I read Kwame Dawes’ article, ‘Political Poetry,’ on the Poetry Foundation website. This is the poem that I wrote.” (web)

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October 22, 2023

Susan Dambroff

WHO

who
more inhumane
than
who
 
more brutal
than
who
 
who
pounded
bloodied
broken
 
who
with more
weapons
than
who
 
who
hiding
dying
mourning
 
who
lifeless
pummeled
kidnapped
starved
stranded
 
who
in a hospital
who
at a festival
who
waking up
who
going to sleep
 
who
without water
 
who
without home
without hope
 
whose land
whose history
whose mosque
whose temple
whose anger
whose fear
 
who
with a baby
in her arms
running
 

from Poets Respond
October 22, 2023

__________

Susan Dambroff: “‘Wh0’ is my attempt to speak to the complexity and context of the Israeli-Hamas war, with all of its absolute heartbreak.”

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October 15, 2023

Alicia Rebecca Myers

THE BUSH

Every time I thought of anger, or fear or revenge, I breathed it out. I tried to think of what I was grateful for—the bush that hid me so well that even birds landed on it, the birds that were still singing, the sky that was so blue.
—Maya Alper, survivor of Hamas’ attack on the Tribe of Nova music festival

The extraordinary arms of the bush.
Trap music still echoing: the singing
birds another cover. The conscious hush.
 
The sky that was so blue above the rush.
The sound of blood pooling, shots ringing.
The extraordinary arms of the bush.
 
The bush wasn’t burning, the birds weren’t ash.
A prayer for breath. The rigid thorns clinging.
Birds another cover. The conscious hush.
 
Lungs instead of terror, the labored wish
to survive. Birds that landed, kept going.
The extraordinary arms of the bush.
 
The roar of explosives, the forceful push
of gratitude against anger. Morning
birds another cover. The conscious hush.
 
The thorns, the sky, the breath, the birds, the bush.
The hidden body contorted, living.
The extraordinary arms of the bush.
Birds another cover. The conscious hush.
 

from Poets Respond
October 15, 2023

__________

Alicia Rebecca Myers: “I wrote this after learning that my brother-in-law’s good friend lost his life in the attack.” (web)

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October 8, 2023

Jaime Jacques

ON WEDNESDAYS MY FATHER AND I EAT AT MASALA DELIGHT

and it smells like nag champa and vinadaloo.
Our waitress, fresh from Kerala,
wants to be a nurse, smiles
when I say I’ll write her a good review.
I have seen the documentaries—
eight students to one room.
The failure of both governments
stands before me, exhausted,
with an extra serving of raita.
 
In 1966 my father arrived from Bombay.
Growing up, we were surrounded
by Murphys and McDougalls,
and one terrible Indian restaurant,
where the owner knew us by name.
Now, with gratitude,
we are spoiled for choices.
 
My father says he never suffered
despite his strange accent and nervous stutter.
I still remember his oversized suits
Sunday nights at Swiss Chalet for supper
wouldn’t let the waitress load her tray
until we finished all the food on our plates.
 
These Sikh separatists, what they don’t understand
is that when you come to Canada you become a Canuck!
he says while serving himself biryani.
Leave what you are fighting for behind.
Forget about where you came from.
Focus on where you are.
 
My father says he never suffered—
fell in love with blonde hair and double doubles,
named me after Jaime Sommers.
Now eighty years old, his hand shakes
as he lifts a glass of water to his lips.
Stutter gone, the lilt in his voice still sticks.
These days he talks more about his childhood:
his sisters, scattered around heaven and earth,
how they loved to dance, eat cashews,
kulfi and fruit from the bimbli tree.
Make sure it has some heat, he still says
every time he orders curry.
 
His eyes light up when he tells the waitress
he was one of the first ones here:
23, all arms and legs, no winter clothes.
You should have seen him, my mother says—
thrifted sweaters and a little
space heater to get him through.
 
My father says he never suffered
and I pretend it’s true.
 

from Poets Respond
October 8, 2023

__________

Jaime Jacques: “I live in Nova Scotia, a part of Canada where people of color have historically been marginalized and treated poorly. In recent years we have had a massive influx of Indian students, without the infrastructure in place to support them when they arrive. At the same time relations between India and Canada have plummeted in recent weeks as our prime minister has asserted that a Sikh separatist was murdered by the Indian government on Canadian soil. With all this in the news I couldn’t help but start to reflect on my father’s experience living here when he was young. Despite his determination to assimilate, I can see how India imprinted him. It’s critical to have freedom of movement, but immigration also seems to create an internal split that is never reconciled, a lifetime of longing and nostalgia.”

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October 3, 2023

Alison Davis

IF THE POINT WERE TO TELL IT STRAIGHT, NOT SLANT

In our first session, I told my tutor how much I used to love to take my siblings to the park when they were little. He said, Oh, so you had to help raise them? No, not really, it was just for fun. Climbing trees and picking apricots and playing fetch with the dalmatians that were always there on Saturday mornings. He said, So you needed to get out of the house to have fun? Tell me more about that. He asked questions that didn’t fit my life so I could write a story that didn’t fit my life but did fit the genre. Everyone embellishes, he said. The struggle is what makes the hero. Then maybe I should write about my parent’s divorce? A frown. Oh, God, no. That’s been done to death.
 
*
 
I wasn’t the star of the play, but I was in it. I wasn’t the star of the team, but I was on it. I wasn’t the president of the club, but I went to all the meetings. I didn’t win the competition, but I tried. I’m good at public speaking and applying liquid eyeliner. I rotate my date night underwear, but I’m not sure if I’ve ever been in love. My parents still brag that I potty-trained myself, that I was the first person in my class to learn to read. My favorite thing about school is when it’s over. In the hollow of a tree at the far end of the parking lot, I keep a collection of things that have been lost or left behind: a post-it note with a 209 phone number, a brass key, a conch shell charm, a souvenir penny from Yosemite, a lipstick, the wing of a swallowtail butterfly, the promises of my childhood.
 
*
 
Things that are more important right now: planning my spring break trip, sponsoring a voter registration drive, working at In-N-Out, pretending to be vegan to impress a girl, sleeping in, sleeping around, photographing treetops, playing D&D, disappearing, losing twenty pounds, gaining twenty pounds, vaping in the bathroom, hiding my eating disorder, solo kayaking the Green River, memorizing the capitals of every country in the world, learning to surf, sneaking out after curfew, raising money for Syrian refugees, walking the dog, dyeing my sister’s hair blue, breaking the cycle of intergenerational trauma, planting succulents and ponytail palms, writing a screenplay, lying about why this is the best I could do, re-learning how to dream.
 
*
 
They keep telling me to find my passion. My voice. My story. But none of the adults in my life have even done that, so how am I, at seventeen, supposed to? I keep having a dream where I’m ice skating on a pond, and a dragon appears, sets a ring of pines ablaze. The flames melt the ice, and I fall in. I flail in the water. The fire closes in on me. Unable to save myself, I let my legs go limp and say goodbye. But my skates bump up against something in the water. I realize I can touch, that I could have been touching the whole time, and walk right out. On the shore, the fire from the dragon keeps me from freezing, and I watch the stars spell out my most intimate questions in the sky. I lay there for a long time, listening—
 

from Poets Respond
October 3, 2023

__________

Alison Davis: “I’m a high school English teacher, and I’ve been helping students with their college essays for many years. I go to great lengths to de-emphasize the commodification of identity, and especially of suffering, and I hope it matters.” (web)

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October 1, 2023

Stephen Abney

NIGHT VIEW, BASE CAMP, EAST OF KYIV

There aren’t as many stars tonight
As once there were before;
I’ve watched a hundred of them fall;
I’m certain there were more.
 
There aren’t as many soldiers now
As once there were before;
I’ve seen a hundred good men die;
I’m sure that there were more.
 
And yet, the stars keep shining
Bright, blazing as the sun.
For every one that fades away,
A new one has begun.
 
Soldiers, too, are like the stars.
I guess they’ll always be
Expendable, replaceable,
Unto the last draftee.
 

from Poets Respond
October 1, 2023

__________

Stephen Abney: “This poem concerns the ongoing war in Ukraine. Its message applies to many other conflicts, past and present.”

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September 24, 2023

Lisa Suhair Majaj

EXILE IS NO COUNTRY

for Sabra and Shatila

The trees burned first, ablaze in the inferno of exile.
The tsunami of death drowned the ones washed up by exile.
 
Soldiers surrounded the camps, then set up flares for the killers.
Knives shone in the dark, a steely passage to exile.
 
The killers hated them because they were in their land.
They came because they were refugees, forced into exile.
 
The alleys were littered with bodies, knifed, machine-gunned.
The corpses twisted in choreographed despair: oh exile!
 
Dust settled thick on the broken stones. Flies clustered everywhere.
Wrecked buildings marked the camp’s collapse into exile.
 
The reporters stopped counting bodies after they reached a hundred.
Children and grandparents sprawled in death’s terrible exile.
 
The orchestrators watched through binoculars as the murderers worked.
They wanted the victims dead, not just in exile.
 
Youth taken by surprise fell like crumpled puppets, limbs outflung.
Blood pooled beneath their bodies, staining the dirt of exile.
 
Pregnant women lay with their bellies slashed open—
babes torn from their wombs, condemned to a lifeless exile.
 
The bodies piled up in stacks: horses and corpses.
Bulldozers scooped the dead to rubble-filled exile.
 
Word traveled across oceans in time for the evening news.
TV corpses brought the dead to their families in echoes of exile.
 
Hands flung wide, mourners still clutch at the broken air.
Their lungs struggle for breath in the vacuum of exile.
 
Who will comfort the children of Sabra, the mothers of Shatila?
What light can they find in the ravaged lanes of exile?
 
At the port there is no boat waiting, only sailors with dirges.
Memory sinks to the depths, carrying the grief of exile.
 
The days and the years glided away with my loved ones.
Oh Palestinians, it is a departure without return from exile!
 

from Poets Respond
September 24, 2023

__________

Lisa Suhair Majaj: “In June 1982, Israel invaded Lebanon, led by Defense Minister Ariel Sharon. In September, as Israeli soldiers watched through binoculars and lit flares to light the dark, Christian militias friendly to Israel massacred thousands of Palestinian civilians at the refugee camps of Sabra and Shatila in Beirut. Palestinian fighters had already been evacuated and the camps were defenseless. A UN commission of inquiry found Israel and several individuals, including Sharon, bore responsibility for the massacres. I was a college student in Beirut 1978-1982, and evacuated out during the invasion (our refugee boat was arrested and taken to Israel by an Israeli navy ship for interrogation). By September I had settled in Ann Arbor, Michigan, for graduate school. When the massacre happened I was stunned by the images of bloated bodies on the TV screen. There was no context for my grief on that calm campus of grass and squirrels. Later I learned that someone I knew learned her uncle had died when she saw his corpse on a pile of bodies in the lane of the camp on the evening news. This year marks 41 years since the massacre. News agencies in various places in the world marked the anniversary. Reading the news from the distance of decades, now on the island of Cyprus—the place my refugee boat brought me to at last during my evacuation in 1982—I found my anguish rising potent as ever: over the massacres, and over the fact that Palestinians are still exiles. The italicized lines in the poem are from a lament by a Palestinian woman after the massacres of Sabra and Shatila, quoted in Laleh Khalili, Heroes and Martyrs of Palestine: The Politics of National Commemoration, 2007.”

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