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      February 12, 2020Channel 37Michele Graaff

      Cable TV dreams cast out
      from a clickety slide bar channel
      changer. One of us, sister or I,
      standing on thick beige carpet
      in our tapered teen jeans, scrunchied
      hair and socks, to slide fast
      the changer, a zipper whip
      of color flashes on the screen, fast
      faces with perfect bangs, movies
      made of satin romance,
      commercials zing a jingle, sugar cereal
      we can’t have, never pastel charm girls.
      All these vague wonders, zip-zipping
      careless, until we landed
      on Nickelodeon or MTV.
      A click too far was VH1
      and Steve Winwood
      wasn’t our jam, like George
      Michael, or Duran Duran.
      Stop there,
      because higher up the slider,
      we got nervous.
      We were little girls who kept
      ears open for the tremble of trouble,
      in footsteps, in screen door slams.
      Never slide that bar past 36.
      Except I did.
      When sister wasn’t around,
      I kept going, but slow.     Click     click     click
      Stop. Squint crooked
      at the mish-mash vertical rainbow
      of that scrambled channel.
      Finger the volume knob down,
      hiding the hiss and scratch,
      the heavy breathing. My ears perk
      to the weird moan of pain-not-pain.
      The pain of finding
      a mosquito bite itch
      with sharp fingernails
      and going at it hard.
      Sometimes the secret screen cleared
      —just for a second—
      and a leg glowed smooth,
      flexed and looped
      around—a waist?
      A neck?
      Other times the TV lightning
      bolts broke the pixels like magic
      and suddenly, there were breasts.
      Nipples bright-blushed
      like Barbie skin. Tits,
      groans a fuzzy-voiced man.
      My hand on the channel slide jerks
      the signal back to safety.
      Something in me buzzes—
      a bug trapped
      in the jar of my rounding pelvis.
      I would know
      secret bodies, know much later
      to see them with half-closed eyes.
      A muscled hip, a knee by an ear,
      a throat wide open,
      teeth in the scrambled dark.
      Would come to know
      all of it was trouble.

      from #66 - Winter 2019

      Michele Graaff

      “In thinking about what my words represent, all I can say is that writing poetry allows me the distillation of the aching, weird, hard, and lovely into something seemingly manageable, maybe even solved. Even if that relief and understanding only last as long as I pencil the page. Poems are often paper prayers of grace.”