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      February 27, 2020CheerSean Kelbley

      Image: “Open All Night” by Kate Peper. “Cheer” was written by Sean Kelbley for Rattle’s Ekphrastic Challenge, January 2020, and selected as the Editor’s Choice.
      The kid outside the liquor store is one of mine:
      5th period, sits halfway back. Laughs at my puns,
      but I should cross the street and scare him off.
      How much of 17 is trying to stand convincingly
       
      in places you’re not old enough to be? He shifts
      his weight, configures spine and mouth and brow
      inexpertly. Experiments with where to put his arms
      and stick his thumbs. I want to see if anybody
       
      buys it. Or, I want to see the father of the kid come out,
      the way my father, once a year for years, came smiling/
      laughing out, and hear him joke about the “Naughty List,”
      and watch him hoist a fifth of gin one-handed overhead
       
      like it’s the only gift worth getting. Then I want the kid
      to disappear. Maybe he’s old enough to drink with mom
      and dad—Singapore Slings, before they tumble like a happy
      pillow family down the street to Spanish Midnight Mass—
       
      except, remembering the drink has got a funny name,
      he’ll giggle through the Homilía. I want him gone, but that
      will happen soon enough. Like drinks and Mass with only
      dad, and after that, just drinks with dad, and after that,
       
      inheritance—a crate of dusty bottles: bitters, kirsch,
      Grand Marnier. One Christmas Eve, a man will tell himself
      there’s time, there still is time to cross the street and go
      inside before they lock up shop. To grab some cheer,
       
      before it’s just the glow of ornaments he’s known for
      30 years. Before it’s just the light that shines through
      other peoples’ windows, when they’re home.

      from Ekphrastic Challenge

      Comment from the editor, Timothy Green

      “I realized I’d be choosing this poem four lines in: ‘How much of 17 is trying to stand convincingly / in places you’re not old enough to be?’ How true is that? And how interesting a thought. Those two lines would have been enough for me, but then the last lines are just as good. I’ve never been a high school teacher, but I understand the student-teacher relationship considerably better for having read this poem.”