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      December 31, 2014ClayTaylor Supplee

      Let’s give him a hard birth and shit in the womb,
      one blue eye, the other green
      and an odd way of blending light.
      Let’s give him crooked teeth and braces later
      because even we
      can admit mistakes.
      Let’s give him two siblings and trying parents,
      a mother who slices potatoes,
      her jaw working the sawing motion and a father imagined
      from steel-mill shavings.
      Let’s give him space
      and smother him with second-hand,
      his own moon a streetlamp
      to keep him up at night.
      Let’s give him an affinity for wandering off
      and Amber Alerts,
      the officer’s name who drifts beside him down the train tracks.
      Let’s give him a knotted sheet and a Jesus in his pocket,
      our same drunk father and red hair because fuck him.
      Let’s give him nothing. Let’s give him lost,
      a compass and no poles,
      a vision, bleached irises, a woman without.
      Let’s take
      his bones so he’ll collapse and worm around,
      his pillows and the rope we’ve already given,
      everything we weren’t ever given.
      Let’s take a breath and fire the kiln.
      Let’s give him a pitcher’s arm,
      and a father who might show up, a nose collapsed from a fastball,
      and a silent aneurism.
      The Selenicereus blooms
      at his twilit windowsill nailed shut.
      Let’s give him bricks and a ladder his father left out, the hammer
      tossed back in the neighbor’s bushes.
      Let’s give him wax
      and watch him mold candles.

      from #44 - Summer 2014

      Taylor Supplee

      “I write poetry because I want to create something more honestly human than myself.”