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      July 28, 2017Color Study While WithdrawingRachel Custer

      The new couch is gray. Or it’s a color
      called, in the inflated language of glossy ads,
      puffed musk. Which, to be more precise, 
      looking more closely now, is a shade of mushroom 
      somewhere between morel and portobello. Why 
      do I keep thinking it’s gray? 
                My daughter’s eyes
      are hazel, but tend, certain days, toward gray.
      If you’ve ever seen a foal just birthed, that 
      so-fast tremor of skin new to air, my daughter’s
      eyes are like that—the sense of being wholly
      alive. My daughter’s eyes are gray.
                            Sometimes
      I feel the pull, magnetic, of the time I almost
      managed to escape this life, and that, too, is gray,
      like if you ever mixed papier-mâché. Which
      is wet newspaper covered in a flour and glue
      paste. That pull is like this, holding a cold glop
      of that grayness, when your only real desire
      is to have clean hands.
      My only real desire
      is to look at the couch. That gray, textured,
      tactile, so here. To avoid the too-alive gray
      of my daughter’s eyes. To ignore the sick-
      wet pull of the in-between.
              I swallow it all
      and stare at the couch’s back. My daughter
      watches mine.

      from #56 - Summer 2017

      Rachel Custer

      “Mental illness (depression and anxiety) both inform and breathe life into my work, while simultaneously making it difficult to actually get work done. I write to escape fear, and to process trauma, and in a sometimes desperate attempt to purge the dank, poisonous landscape that is clinical depression. I write because I am compelled, and also because I love to write. Sometimes it’s hard to know if writing helps me stay sane or just adds to the negativity of my thoughts when I am in the grip of a depressive episode or panic attack.”