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      January 5, 2019ConfessionalLeslie Adrienne Miller

      I confess to having abused the ordinary details
      of personal days, to having used the world less,
      the self more, to the womanly flaw of regarding
      private hours as the primary province
      of knowledge. Dear critic, appalled
      by female details, the minutia of a childless
      and husbandless bluestocking strewn across
      that unspoiled landscape of literature, you are
      right to side with Bly, legislate against
      the blight of first person pronouns. Dump
      those babies in the great pit of poetic dross.
      Away with these maudlin cravings, these
      not new, even if cleverly disguised contributions
      to the egotistical minus the sublime. All those weak
      moments when I deferred to the memory
      of an actual lover. Then to have covered
      it up with the thin dirt of allusion, invoking Keats
      or Wordsworth in concert with some man
      done gone and left me. I ought to be shot
      like the old dog I am, irascible, blind,
      given to biting the hand that feeds, guilty
      of living on the grim edges, having wished
      to be the center of attention. You, dear critic,
      and my father, win: I was simply not marriageable.

      Was headstrong, controlling, insufferable.
      How can I argue my bright Bly aficionado.
      Wicked tease. Naughty girl. Dear doctor,
      could you hand me that box of Kleenex now?
      I’m about to weep for you, to spill the usual
      gaudy humiliations, and because I pay you well,
      really too much, you can’t look bored. Upstart I
      who really ought to have stuck with She,
      learned a We, better yet a They, or the proper art
      of You, let alone the beauty of going pronounless
      completely. My good grandfathers have rolled over
      in their graves at my assumptions. Beginning with
      the girl who peeled off her shirt to chop
      wood in the sheep lot, caught like that at twelve.
      Imitating the hired hands! Grandma straightened her out,
      and fast, but here she is in public with her shirt
      so actually off again, and plenty old enough to know …
      She’s properly chastened now, sitting in her hermit’s hut
      in France, all those lovers she’s abused in print, quite fled.
      She hears you now, this one, feels the sting of 20 years’
      advice unheeded, and promises this time to try.
      She’s got this garden, see, first time in her life,
      and begins to understand that bit about the still point
      of the turning world: pansies nod their floppy
      little pastel heads. Ivy creeps about, but quietly.
      Pretty zinnias preen. And the trees, oh doctor,
      I tell you, she has heard them speak out loud.
      They want to be hugged, understood,
      have their best stories told for the good
      of the planet, told again for the good of great
      literature. She must, they’ve whispered, forsake
      presence, revise herself to essence, star dust, shy stuff,
      cosmic thrust.

      from Issue #16 - Winter 2001

      Leslie Adrienne Miller

      “I believe that poetry is a language that makes us all (readers and writers of it alike) feel smarter than we are.”