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      October 31, 2011Dinner with the BluesTheodore Worozbyt

      Just look at these petunias, plush and red
      as arterial blood,
      leaves soft as fondled money.

      Nothing means what we mean it to mean.
      And that’s the part
      I can’t ever get right, asking

      in a true voice for joy, and receiving.
      Don’t we almost always make
      the mistake of confusing

      what’s beautiful with what we starve for,
      the delusive light reflected
      moon-blue and cold as leftovers from the withered past

      where it seems we seldom got anything
      when we were ready, when we needed it most?
      Beauty’s no cure for the blues.

      This is the oblique sadness of dropping in
      and out of love, how we believe
      it must by nature be beautiful to fall,

      the way memory longs for what was to come,
      how Mother and Father would look
      unmistakably, perfectly, at us

      if we were good, if only
      we were good.
      Even blue flowers can’t cure

      the blues, they only attract
      more butterflies, which are beauty
      decocted from worms.

      Just look at this foxglove
      spiking the path beyond the window. It cures
      something, though just now I don’t recall what.

      Some people say that listening
      to the blues can make the blues
      taste sweeter, and I know a player

      who claims that to play
      Satie on his Ramirez makes the blues
      take a hike. But, as always,

      I’m doubtful. I know how good work
      can make the blues
      walk the long mile from home,

      but they always know
      how to plant themselves in the seat
      on the Greyhound bus beside you,

      how to borrow a map and read the fine
      blue lines like veins.
      The blues have practiced to perfection

      the art of showing up just before
      a good dinner you’ve worked all day to prepare,
      of waltzing in

      and pulling up a chair at the head
      of the table, of taking the rarest slice
      of prime rib, the crispest browned potatoes.

      And after the blues tell you to get
      rid of the flowers and turn down Bill Evans
      because they want nothing more

      than to see your candle-streaked face
      and hear your slowest whisper,
      you begin to feel that asking them in

      after such a long journey
      was, after all, the right thing,
      the only thing to do.

      from #26 - Winter 2006