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      August 12, 2009Eric KocherDispatches from the Dream of Personal Flight

      It is my first winter home and the moon
      appears as if it doesn’t understand its place
      in the strata of heres and elsewheres.
      I am getting high because I know how

      to be part of a body that leaves itself
      for something ethereal. I think of Laika,
      the dog we sent into orbit, the first Earth
      born organism to leave the atmosphere,

      all of the commands she might learn:
      sit, stay, how to become a satellite.
      The story goes like this: she survives
      the ascent but only lasts a few hours

      before her heart beats itself silent,
      how she remembers the cold
      streets of Moscow and they howl
      for her to come home.

      I think of all the planes with their turbine
      groans, proof the voice can spiral
      out of control, that we can still
      be heard long after we’ve passed.

      There is a theory some insects navigate
      according to the relative position
      of the moon and this is how easy it is
      to get lost in the electric glow of streetlights,

      to hold onto the idea of some bright shape
      thousands of miles away from here
      where there is no such thing as night, or winter
      for that matter, and home is how close

      you can get to the sun before you remember
      Icarus, a river of sky, a river of hands,
      and your wings are gone, incinerated,
      and perhaps you continue upward

      like a cartoon whose universe is drawn
      by a sea that trembles
      only if acknowledged and a space that opens
      and continues to open infinitely.

      I too am trying to escape. I too am full
      of waves that are breaking. Here the air
      is always moving and when the trees shake
      I think of the wind-chime

      my mother made of seashells. My mother
      made of glass. The woman who drove me
      to the E.R. after I tried to parachute
      from a tree with a bed-sheet,

      she explained that there is something
      we are always avoiding, the moment
      at hand, for instance, where I am
      smoking a joint on the roof

      of the same house I grew up in,
      where I am writing this poem
      because it requires a sort of downward
      motion to exist. In one of my lives

      I slide off the roof like a sheet of ice.
      In another I was already falling.

      from #30 - Winter 2008