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      May 13, 2020Marie-Elizabeth MaliDiving

      Up on the bridge roof—a pinprick
      on a floating speck
      of wood and sail—
      the scale is comforting,
      not frightening.
      A fine way
      to disappear.
       
      The man says, Hey gorgeous,
      and I get wet.
       
      On a dive, I shoot a pair of green
      ornate ghost pipefishes
      until I run out of air, my last
      inhale a shock
      like sucking on a corked hose.
      I have to breathe
      off his tank to survive.
       
      In a grind of sharks I shoot,
      one scarred pregnant female.
      Shark sex is rough.
      It leads to multiple wounds,
      few offspring.
       
      We ride in a skiff across the equator,
      magenta-gold light
      on the green-wrapped
      islands we zip around.
      I stand to shoot the scene
      and almost fall
      because of the chop.
      The man holds my hips
      to steady me. So he’ll keep
      his hands there, I shoot
      way past the point
      of available light.
       
      Before the next dive, he puts a Band-Aid
      on a sore on my wrist.
      It becomes a game, my sticking out
      my arm, palm up,
      before each dive.
      I know where
      they’re kept, could do it
      myself, but I like
      his care, his light
      touch on my wrist.
       
      I shoot a pair of broad-club cuttlefish.
      The male puts his body
      between me and the female
      who continues to lay
      eggs in a coral hollow
      despite the strobes’ flash.
       
      Four more days on the boat, lying awake
      in a cabin three doors down
      from his body.
      At my station
      on the starboard side,
      I fiddle with my mask
      and watch him gear up
      at his port-side station:
      Wetsuit, boots, BCD, tank,
      do-rag, gloves, mask.
      Extra-long fins under his arm
      as he walks to the skiff.
       
      One night we sit and chat on the bridge roof
      alone.
      When he gets up to refill my glass,
      our feet brush,
      sending a jolt of heat through me.
      The rest of the chat
      I hope our feet
      will meet again.
       
      The iron taste of his sun-cracked lips,
      his adept tongue
      and mind, arms
      that lift and turn me
      this way
       
      and that, how
      he washes my hair
      and towels me dry.

      from #67 - Spring 2020

      Marie-Elizabeth Mali

      “I’ve studied with Kim Addonizio many times, in person and online, from 2007 to 2018. She’s helped my writing become more bold and more subtle, by sometimes suggesting that I say the thing more directly and at other times suggesting that I use an image or metaphor instead. And always with a well-tuned ear to the poem’s sounds. I love having a teacher with such range!”