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      July 28, 2024Elegy Beginning on a Line by Ross GaySophie Kaiser Rojas

      The bullet craves the warmth of a body,
      but forgets the body it leaves. Allow
      me the metaphor, this aliveness
      of everything—the last leg of the trail, scarring
      the mountain’s rigid face. A friend tells me
      two Spanish names for the steaming blue
      aperture in an alpine hot spring: el ojo
      de agua & donde nace el agua. I touch the mouth
      of the coffee mug to mine, too distracted
      with dodging the clotted white
      flecks of coconut milk to see them spare me
      my reflection. Headlines yank my heart
      into my ears like the drum of distant fire-
      works, so I walk to the holler, permission to clear
      my mind. The mouth of the creek is one body
      entering another. That is, a small river, emptied
      of all it carried. Spanish has a structure
      that makes your happenings
      happen to you, takes what we’ve done
      and does it to us. See: se me rompe el país—
      my country is breaking
      itself to me. I want to be blameless
      as every birth, every baby crying
      for help as it leaves one warmth
      for want of another. A poem,
      in its hunger, craves the soft bone
      of the paper, but misses itself
      to the chamber of its pen. The first act of
      motherhood is a womb,
      giving up. We’re all born
      barreling toward beauty and a life
      of yielding—how can a word mean gain
      and surrender? I’ve strolled
      this stream for years and never witnessed
      more than dragonflies and crawdads. But today, I’m struck
      by the slick of a turtle’s obsidian
      shell under the surface, stippled with copper
      sun. In certain light, everything’s the color of a gun
      and what is lost to her.

      from Poets Respond

      Sophie Kaiser Rojas

      “Say her name: Sonya Massey. Justice for her, and her mother, and her kids.”