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      February 16, 2024Elegy for Tío LazaroIsabella DeSendi

      Because he was already dying, he figured
      there was no harm in huffing through 2 or 3 cigarettes
       
      in the early morning before my mother would wake—
      the animal of his thin, brown body lassoed
       
      to an oxygen tank. Because he didn’t have papers
      we had to drive two hours to retrieve the tank
       
      from a discount store in Ocala
      where my mom had to pay
       
      out of pocket for air that would be filtered
      from a rocket-ship shaped canister
       
      into a tiny tube three times the size of a vein
      directly into the soggy, plastic bags of my tio’s
       
      stalling lungs just so he could drink cafecitos
      & play crossword puzzles or the lottery
       
      while we sat around in the kitchen
      wondering how long we could keep him alive.
       
      My mom was elbow deep in dishwater
      when the letter came
       
      denying our appeal for his citizenship.
      No, he could not get Medicare.
       
      Yes, he would have to go back after living
      50 years in this country. This country,
       
      where, at 20, he learned to fix engines
      in chop shops and likened himself
       
      to a surgeon—saying any man with purpose could fix
      any broken thing if he simply tried hard enough.
       
      Entiendes sobrina? It’s why God gave us hands.
      Sometimes, I like to imagine him in the garage
       
      surrounded by brutal heat and moonlight,
      the broken chair under him barely keeping
       
      itself together while he held metal chunks
      in his hands like a heart, wondering where
       
      it all went wrong, believing enough screws
      could put it all back. Of course, this was after he fell
       
      in love with a woman in Kentucky,
      dreamt of being a local politician
       
      and with that same American sense of disillusion,
      grandeur—discovered heroin: the god he’d worship
       
      until he felt nothingness, & after nothingness
      the dull edge of sobriety, the death of his American wife
       
      which meant the death of food stamps, which meant the death
      of a life that allowed him to lay on the roof of his car
       
      while he smoked Marlboros and recited constellations:
      Andromeda, Aquilus, Ursa major, Ursa minor
       
      which made him feel just as smart as the white men
      he swept for. Aren’t our lives just simple constellations
       
      made up of many deaths? Yes, someone in an office
      in a building in this country decided no, he could not
       
      get medical care. No, he could not stay.
      Two nights later, Lazaro woke from a dream
       
      screaming aliens were coming to get him.
      That their ship was hovering over the house.
       
      The light so bright he couldn’t see my mom’s hands
      as she helped him back to bed. The next night he died.
       
      Milky Way: one answer on yesterday’s crossword puzzle.
      You can’t tell me the dying don’t know
       
      when their time is coming.
      The tip of the letter, still sticking out
       
      of my mom’s black purse like a cigarette
      already flickering gone.

      from #82 – Winter 2023

      Isabella DeSendi

      “I wrote this poem after telling two of my poet friends the story of my tio’s death, including his vision of being abducted by aliens just days after we’d received the news about his deportation. My mom was still trying to figure out how to fight the government’s decision, how to break the news. My friends and I were huddled in a small circle during the intermission of a reading when I decided to share the story with them. One friend, Cat, turned to me and said, ‘Bella, this is a poem.’ She was right. This piece is an elegy for my tio, but it’s also a lamentation for immigrants in this country—and ultimately a song of praise for my mother, whose strength, generosity, and capacity for enduring I am constantly in awe of.”