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      January 24, 2016Elegy: #LeilaAlaouiMaureen Doallas

      You ask one favor
      of them all: only that
      they stand and face you.

      1

       

      Shapeless in her mass
      of wrinkled robes, her head
      wrapped to betray no more
      than where expanding oval
      and high cheeks meet,
      she rests right hand
      atop left, silver-ringed,
      visible enough.
      We cannot make out
      the last time she stood
      as if about to speak, wanting
      to warn you but holding
      back. In the little village
      amid the biggest desert dunes,
      your soul, too, dances once
      to Gnawa’s music.

      2

       

      The bride, hearts spotting
      her gown white as blinding light,
      knows the one direction
      to look. Her face dressed in red
      silk banded in gold, her necklace
      a ring of orbs the size of tangerines,
      she shakes her silver bangles,
      silencing the camels from Merzouga.
      Later is time for home-made bread
      and cous-cous, when left hand stills
      the right’s fear of ever being
      the woman you are, going first.

      3

       

      In Essaouira, she wears a scrap
      of black, a scrim to shield
      the face she makes a fortress
      against the swell of manhood,
      seagulls screaming as smells
      of fish guts mix, go strange
      with spices. Her haik, voluminous
      as the wind that blows too hard,
      breaking sand from sea, deflects
      sun-seekers’ attention south.
      You focus on kohled eyes, lakes
      of a depth we cannot fathom.
      Her gaze held, you shoot
      the single moment lips part,
      she smiles.

      4

       

      You trek the Atlas mountains,
      the Rifs, buy water at the souk
      in Boumia, collect the colors
      from a square in Marrakech.
      The snake-charmer, turbaned
      drummer, dreds-headed
      sintir player plucking goat
      strings in Khamlia: they lull
      you while another, older man
      claps his iron castanets, two
      to a hand. There, in Morocco,
      they stand; each one stands
      to face you.

      5

       

      You next cross borders
      on assignment. Ougadougou,
      too, has stories you want
      to tell—about the bodies behind
      the veils, about the lives outside
      our widest margins. The voices
      within and outside the Splendid
      are not what we’ll hear
      in your final video.
      You get no chance to ask
      a favor your last night
      in landlocked Burkina Faso.
      All stand; they aim and fire.
      How could you know?

      from Poets Respond

      Maureen Doallas

      “This elegy is inspired by a selection of images from ‘The Moroccans’ that appeared in The Guardian in honor of the French-Moroccan photographer Leila Alaoui, murdered this past week in Ougadougou, Burkina Faso, while sitting with her driver in their car outside the Splendid hotel. Alaoui, an extraordinary photographer, was 33 years old. Twenty-eight others also lost their lives to the terrorists. I look at Alaoui’s images, trying to imagine what she saw. I have no hint of the voices of her subjects, few of whom offer even the slightest smile. The eyes carry the stories. Those Alaoui photographed gave her what she asked, which was always to face her.”