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      March 1, 2019EnochRodney Gomez

      At Cascade Park,
      where he’d busted
      a street lamp once,
      my friend John declared
      I am Enoch reborn.
      And it wasn’t the weed
      or the bottle of Seagram’s
      that caused him to turn
      away from what he’d been
      before, but conviction
      & the way his father’s belt
      rose hillsides over his back.
       
      After that, his voice
      no longer lilted
      or grappled with doubt.
      He came & went
      with the urgency
      of a sailing stone.
      Then disappeared.
       
      Later I heard he’d moved
      back to Sparks
      with his folks & a sister
      who loved to pray
      in that showy way
      bigots often do.
       
      I often wondered if,
      like wind does to clean linen
      on the line,
      she’d smothered him,
      or his father.
      Or whether he’d ascended—
      all bones & crewcut,
      frail as chicken wire—
      to the heaven he’d never known
      except in brief flashes
      of sodium light.
       
      Years later, when I gave
      my son a parrot for his birthday,
      I told him about John—
      how I had a friend when I was young
      who learned not to be afraid
      by giving himself a name & took
      the only thing willing to be claimed.
      He became an architect, or custodian,
      or roustabout, who knows, it didn’t matter
      because he was his own.
      And my young son, understanding
      already how much love
      sometimes blinds
      as much as it illuminates,
      very clearly, in the way only innocents
      can, said, I’ll leave you too,
      eventually.

      from #62 - Winter 2018

      Rodney Gomez

      “‘Enoch’ started out as a short story about lost friends. The main character spends his time imagining wondrous things for the friends he knew in childhood, but resists the urge to look them up on social media or the web. I abandoned the story, but kept the idea of loss and friendship in this poem.”