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      September 21, 2015Essential TremorDonald Platt

      My right hand shakes
      as if a low-watt electric current runs through it—harmless
      palsy, neurological
      tic that I inherited from my dead father. It affects only
      the one hand.
      The doctors call it “an essential tremor.” I’m trimming the blue spruce
      that Lucy, our younger
      daughter who turned eighteen last week, and I bought yesterday.
      I’m hanging fragile
      red, blue, gold, green, and silver balls with my right hand.
      It trembles
      uncontrollably. Eleanor, our older daughter who had her first
      and so far only
      manic episode two years ago, is coming home for Christmas
      from Guatemala’s mountains,
      where she’s been working as an intern on a medical team.
      She’s lived through
      an earthquake, amoebas, parasites, chronic diarrhea, weight loss, nausea,
      fever, power outages, 30-degree
      nights, no central heat. I wonder whether, sick as she is and unable
      to tolerate her full dose
      of lithium, her mind will start to fog and she won’t get on the flight
      home. I remember
      how two years ago, as she began to escalate into
      mania, she sent
      long, rambling, group emails to her professors and copied Dana
      and me: “Let me be
      perfectly CLEAR. I am having a rough time managing schoolwork,
      social time, consumption
      (eating and drinking), breathing, sleeping … In fact, I have gotten
      to the point where I seem
      to be doing NONE of these things well. So I have decided to pause
      and think. (And sleep!!!!!!!)
      Precisely because I do not enjoy panic. (Well, that is a typical
      lie. I meant to say
      that I enjoy panic but I must resist most of the time if I want
      to remain sane
      and be able to actively use my mind.) Any changes? Tell me,
      Waldo, tell me.”
      With my stuttering hand I hang on the highest branch the glass
      ornament that Eleanor
      free-blew when she visited a glassblower’s studio with her classmates
      on a field trip. Somehow
      it has survived twelve Christmases. It catches whatever light
      sifts through our window.
      Once molten, the cold glass sphere still holds the deep breath Eleanor exhaled
      when she was ten.
      Two years ago I found her huddled under a blanket in her apartment.
      “The vagus nerve,” she told me,
      “is the longest nerve in the whole body. It runs up and down
      my spine and opens up
      when you have sex. Djibril and I have been fucking like bunnies
      for four years.
      I had sex too early. I should have waited to find out about
      my vagus nerve.
      I was giving all my love to Djibril. I have so much love to give,
      Daddy. But Djibril
      wouldn’t give his love back. I tried to give my love to my friends
      and to my schoolwork
      when I came here. Always I was giving, but not taking. Now
      I need to learn
      how to take. I need to become an infant again. I want to be
      a newborn.”
      Psychosis has its own poetry and fractured wisdom. I eavesdropped
      while her roommate
      tried to explain it a day later on his cell phone to a mutual friend of theirs—
      “Her mind
      kind of moves faster than the speed of light. It’s amazing but … getting lost
      in your mind
      is the loneliest thing. I think she was concentrating all of her energies
      in one place, namely
      Djibril. All this is very hard to articulate, and I keep saying it
      differently and finding
      new revelations as I go along. Let me tell you about the aesthetics
      of the breakdown.
      I’m not sure it was exactly a moment. There was a build-up.
      Basically, her friends
      arrived from Mexico, maybe they brought back memories
      for her of being
      in Mexico with Djibril. She had been working and making money then.
      Everything was going
      well for her. Anyway, she began furiously cleaning things. We have
      a mice problem,
      but it bothered her more than it would a normal person.
      We go to yoga
      together, and I was working on breathing
      with her. So she
      was having trouble sleeping, and her eating was off. She got
      fixated
      on her breath. I was in my room, doing some homework,
      and she came down
      from her room, wrapped only in a blanket. She was completely
      naked underneath.
      She said, ‘I can’t go to sleep. I haven’t been eating in a week
      and a half. I think
      I’m going to die.’ ‘Well, let’s get you something to eat,’ I said.
      ‘I can’t chew.
      Can you get me a mango lassi?’ So I ordered her one
      from an Indian restaurant
      around the corner. But she wouldn’t touch it. She was having trouble
      breathing. I held her
      and we tried to breathe together. It was hard for her to get
      a breath.”
      Nothing will stop this essential tremor. It shakes Eleanor
      and me. We are held
      in someone’s large trembling hand. Christmas is the manic
      season. I plug in
      the lights, and the tree is electrified red, blue, pink, green, yellow,
      orange. Daughter,
      forgive me. You are not some flammable tree I have hung and hogtied
      with eighty breakable
      glass balls. Forgive my dumb anxiety. You will walk across the tarmac
      and climb up the skeletal
      metal stairs into a two-prop plane, strap on your seatbelt. I will meet you
      at the new Indianapolis airport
      tomorrow night. I will help you carry your carry-on bags.
      You will be tanned
      from a fierce tropic sun I have never known. You will talk slowly
      in English
      after having spoken so much Spanish. You will tell me of the volcanoes
      you live under—one extinct,
      the other smoking. How they are tall strangers, who have become some
      of your many friends. I will kiss
      you on both cheeks, my beautiful prodigal, my returned one,
      and we will hold
      each other still for a long time, my hands clasping your thin
      shoulder blades
      under your poncho, while suitcases go around and around on the carousel,
      waiting to be claimed.

      from #48 - Summer 2015

      Donald Platt

      “I would hazard that I write poems because I’m a PK (preacher’s kid) and one of my earliest memories is of lying on a pew in Trinity Church on Wall Street in New York City and feeling the rhythms of the Book of Common Prayer, the King James Bible, and the old hymns wash over me. Another root of my writing is the experience of growing up with my younger brother who has Down syndrome. While the more common and unenlightened practice in the early ’60s was to institutionalize those with such disabilities, my parents decided that Michael should live at home. But they never discussed my brother’s disability with me. It was an insoluble given. In reaction, I’ve been living my life trying to articulate what isn’t spoken around me, which is perhaps one of the many definitions of what poetry is and does.”