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      March 21, 2022Exodus: Gilliam Coal Camp, West Virginia, 1949L. Renée

      Lee, Russell, 1903-1986, Photographer

      Oh, Mary, don’t you weep
      Martha, don’t you mourn
      Pharaoh’s army drowned in the Red Sea
      Oh, Mary, don’t you weep.
      —Aretha Franklin

      On the day before Junior Mary
      graduated high school, she told
      her mother Mary she wanted to
      serve and protect, not in a maid’s
       
      or nanny’s uniform, but in Army
      greens. At seventeen, she wanted
      to witness something other than coal
      and dirt and mountains and trees—
       
      something as infinite as water
      surrounding them islands she had
      seen in her mama’s Lifetime
      magazines—God’s green earth
       
      not besmirched by dark dust, dark
      rocks awakened from millennia
      of rest by explosives. The ocean’s
      cerulean gloss sparkled like a sequin
       
      dress Junior Mary sought to slink in.
      She imagined the water’s cool kiss
      pecking her skin, how free it must be
      to float and not feel your own heavy
       
      labor, a body beyond debt, a mind
      without worry. She imagined the security
      of military wages that didn’t nickel
      and dime you like coal bosses did:
       
      a fee for electricity, a fee for fuel coal,
      a fee for doctor’s visits, a fee for blacksmiths
      to maintain the sharpness of metal picks,
      a fee for oil to put in a miner’s lamp—
       
      deductions subtracted from every pay day
      leaving you in the red or with meager
      balances. She did the math, gave her mama
      enlistment papers to sign. Big Mary did not
       
      weep. The family had had enough domestic
      work; the military wasn’t no different.
      You’d still be cleanin up some white folks’
      messes, Big Mary had said. The Army
       
      wasn’t no place for a Black woman.
      After all, Truman had just let women in
      last year. How a Black woman gonna
      protect a country that ain’t never cared
       
      about her years of service, the many
      generations of Black women who worked
      without pay until they were dishonorably
      discharged into soil. At least in these hills,
       
      everybody knew who the white Devil was:
      the coal company’s lust for money traded
      for breath, just like them slavery-time
      body-snatchers, who smuggled cadavers,
       
      drenched them in whiskey
      for preservation, to be used by medical
      schools, the Black body always traded
      in a black market, always a price—
       
      the only thing named—attached to
      the toe. Round these hills, everybody
      came out black and poor after a day’s
      work. You could call a mountain
       
      a mountain, a spade a spade.
      Your faith might convict you to say
      move, and you might could see
      some version of the Red Sea parting
       
      your troubles with a lucky lotto pick.
      You knew you could sit anywhere
      on the bus Mr. Dick Arnold drove
      from coal camp to coal camp,
       
      that you could stand in the same line
      as white folks at the company store
      where y’all all bought the same milk jugs
      and coffee tins for the same price,
       
      which would be deducted from weekly
      wages if put on credit, or paid for by scrip,
      all of which replenished that devil’s coffers
      again. At least in these hills, you could holler
       
      when the fire broke out and trust
      somebody would hear your screams,
      watch neighbors dash for ladders, pass
      well-bucket water from one man down
       
      a line to the next, put out the threat
      with dozens of hands, dozens of mouths
      crying out to the God of Moses, the staff
      of their tongues parting flame from wood,
       
      smoke curling up nostrils like frankincense,
      or some other burnt offering of praise
      for that half of roof that could be saved,
      at least on that night when the gas lamp
       
      wick licked Big Mary’s cotton drapes
      and made ashes of the pale pink roses
      patterned upon them. Big Mary did not
      weep, for she knowed the pride of
       
      an honest day and the sorrow in it too.
      Another day’s journey when somebody
      ain’t turn up dead was something to give
      thanks for, when a girl barely old enough
       
      to sign her own wedding papers ain’t made
      a widow like Martha, staring off at the tipple
      ’spectin to see her man there by the rail car,
      but jarred back to the present when she hears
       
      coal pinging the metal containers like rain,
      like the fat wet blanket that made dirt slick
      and muddy, a bad sign the girl had told
      her man, begged her man to stay home
       
      on what was his last day on earth, and like
      a man fixin to feed his family, he did not
      listen, and now he was in the earth, buried
      deep inside earth’s muddy pocket, tucked
       
      away and maybe rocked in the rocks
      that swung low and carried him home
      in that ol’ shiny chariot that did not drown
      in the Red Sea. At least in these hills, death
       
      had an address and if you listened hard
      enough, looked for the signs in dreams,
      it rarely could put the sneak on ya.
      But Junior Mary ain’t want her mama’s
       
      at least, she wanted the most, the brightest
      city lights that couldn’t be snuffed out
      by a poor mouth exhalin what little air
      had been waitin in dim hallways
       
      of blackened lungs, rattlin like an ol’
      car engine that can’t turn over, can’t do
      nothin but whir and whine and grind
      and click, the bad starter of it all,
       
      the bad start for which there is no
      replacement part, just chains of title
      chains of parents bought and sold,
      bought and resold, souls wore out by
       
      the wear and tear, their bodies counted
      as coins in accountant’s books and
      insured in policies you still can find
      online by typing words like Slavery Era
       
      Insurance Registry California or Aetna
      Slave Insurance or Nautilus Mutual
      Life Insurance on Slaves or U.S. Life
      Insurance on Slaves, where you might
       
      discover another Martha, age 14, a house
      girl valued at $1,000, or Ann, age 15,
      valued at $1,000, or Amanda, age 15,
      valued at $1,000 or Henry, a blacksmith,
       
      age 19, valued at $1,200, on January 13,
      1860, when Charles Meyer, the slaveholder,
      bought himself some insurance on who he
      thought he owned for a term of two months,
       
      and the insurance agent, David Bishop,
      added a hand-written note that Aetna would
      not be liable for any consequences arriving
      from smallpox or exposure to the same
       
      arriving to any of the above mentioned slaves
      who have not been vaccinated, should they be
      moved from Missouri to the South
      by steamboat during the policy’s term,
       
      because Black folks always get forced
      to migrate for white men’s enterprises,
      and rarely do people call those enterprises
      what they are: blood banking, because
       
      a Black person always loses their life from
      that exposure, the deadly accruals in arriving
      to any place without consequences, without
      a claim to your one and only life,
       
      your balance sheet constantly in the red,
      indebted to a system that hangs freedom
      like bait from a rod that spoils the child
      into thinking what they could be spared
       
      from on something as flimsy as freedom
      papers and a new address, on something
      as flimsy as enlistment papers and a new
      address, but I’m digressing now, Junior
       
      Mary ain’t know all that. Still perhaps
      her bones quaked with all her ancestors’
      bodies, the body’s inheritance, all the molecules
      that give instruction, messages rising up
       
      on silken arm hairs like goose pimples,
      beloveds whispering, as they do to flesh,
      telling her to let Pharaoh’s coal go, to flee
      the dirt roads as black as the night sky,
       
      as blue-black as Big Mary’s heart would be
      in the morning when she found the note
      left by the ol’ coal stove: Mama, I’m leaving
      on a bus with Martha to Ohio. They got more
       
      opportunities up there and she got an aunt
      we can stay with. Don’t be mad. Love you.
      Mary wept.

      from #74 – Winter 2021

      L. Renée

      “This poem emerged while I was conducting genealogical research on my maternal family’s migration from the tobacco fields of Southwest Virginia to the coal mines of Southern West Virginia to Ohio, where I was born. I was stunned to find a photograph of my Aunt Mary inside the Gilliam Mine company store in the National Archives’ collection. I was and am taken by her gaze directly at the camera, which was attempting to capture her. Photographer Russell Lee took several photographs of the coal camp where my family lived, and I shared them with elders while I collected oral histories. At the same time, I learned about insurance policies on enslaved people that had been digitized and made available online through some local disclosure laws. While scrolling through them, I discovered a policy on a 14-year-old girl named Martha. I had a physical reaction. I thought of all the ways Black girls becoming women are surveilled and catalogued. I thought of all the ways we dream of and work toward creating our own escape routes. Then I heard Aretha telling me not to weep, though I did. I’m perpetually humbled by the sacrifice of ancestors who endured so much to make us possible. This poem is an attempt to render them, especially Black Appalachians often excluded from the narrative, visible.”