Shopping Cart
    items

      September 7, 2016ExorcismTiana Clark

      Pastor John stood over her body—
      shouted scripture as she writhed in the jerk
      of undulations that lit her bones on fire. Her eyes
      slid to the back of her head slick as marbles. Only
      the white jelly of sclera shone between the flutter
      of eyelash flicks moored to the mouth of some
      netherworld. I stood back in awe and in horror
      like the first time I watched porn. Excited, because
      we were inside the same heat as each of our hands
      stretched forward, flexed as church fans we stroked
      the flames of spirit higher and higher. She frothed
      her lips to a disc of crema, cried and whimpered
      almost like a self-soothing baby. Our finger pads
      followed the bars on the pages of a hymnal book.
      My youth group spoke as a choir in tongues, our
      syllabic utterings were plucked marionette strings
      that pulled her limbs to spasms. Pastor John said
      she had a demon of lust, a Jezebel Spirit. He said
      we had to pray louder and harder, had to touch her
      arms and her sides, had to deliver the ember of her
      sins from the second crust of hell. But I knew this
      girl that twitched on the floor. Sarah was my older
      friend. And yes, she made out with boys. And yes,
      I saw how the boys looked at her breasts, like the way
      they looked at them now when she jiggled—buoyant
      as sunny side up eggs. As if I could pierce her yolks
      with my praying fingers, bloodletting buttery sex.
      She was like me: a girl with no father, a girl that
      made God her father, a girl that wanted to be saved,
      but mostly loved. She gave her body to greasy boys,
      like the way she gave her body to all of us in that
      musty cabin outside of the glowing gold buckle
      of the Bible Belt for a church retreat.

      from #52 - Summer 2016

      Tiana Clark

      “I agree with Terrance Hayes: ‘… everything is a metaphor for sex.’ This poem evolved while unpacking my religious upbringing by converging the sacred and the sensual, the holy and the profane. Ranier Maria Rilke said ‘… the artist’s experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss.’ When I decided to stop writing out of fear, the mist began to rise when my pen slid across the page. This is why I love to write poetry—because of the steam, that ineffable cloud that embodies the nebulous memories inside our minds.”