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      June 21, 2009FarrierCal Freeman

      A barn cat’s complaint set to the pitch of curdled milk,
      the poem for Bill is no good. Bill, it gets no better:
      a stone so useless it refuses to skip or sail or barter
      against the wind’s heft.
       
      Your words sprayed like gravel across the moat and landed
      somewhere in the poverty grass. You have an eternity now to hold
      no record. In the barn a gelding voids its bladder to the music
      of wind against an aluminum roof.
       
      They let you live here, paid you a pittance for each hoof
      clipping lopped to the dirt. I called you a blacksmith once.
      You corrected me, but placed little importance on the issue
      with your tongs winched
       
      to a horse’s nose, a small hammer
      sending nails through its hoof.
      Your mind trailing your missing teeth into dusk, you placed
      a dollar in the pop machine, faltered
       
      with the story of your travels, confusing states and mountains:
      It was on Little Big Horn in Kentucky that you followed
      dim tail lights into the whiteout. To say that you left
      mid-sentence is to make it
       
      seem quicker than your amble and drawl through the field,
      back to the motor home, its engine block long vacant
      except for bird straw and milkweed pouring
      through the hood.

      from #30 - Winter 2008

      Cal Freeman

      “I began writing poetry in 8th grade after reading Jack Kerouac and Allen Ginsberg. That was also around the time I started riding Arabian horses at Rushlow’s Arabian Farm in Romulus, Michigan. Horses have always puzzled and fascinated me. The poem ‘Farrier’ was written after my friend Bill’s death. He was the only person I’d let do my horse’s hooves because he wasn’t ever in a hurry. He was a guy who honored Cormac McCarthy’s dictum: ‘A good horse has justice in its heart.’”