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      June 3, 2012from “The Zen Master Poems”Dick Allen

      WHAT THE ZEN MASTER TOLD US

      A single blind tortoise
      swimming in a vast ocean
      surfaces only once
      every century.

      Floating on the vast ocean
      is a single golden yoke.

      It is more rare,
      said the Buddha,
      to be reborn human
      than for the tortoise
      to surface with its head
      poking through the hole
      in the golden yoke.

      You have this rare time.
      Do not squander your
      on the ephemeral.

      Practice the dharma
      and, lest you get too serious,
      eat sunflower seeds.

      Gaze
      at the waves on the water.

      __________

      THE ZEN MASTER ON THE RAFT

      The trouble with you, said the Zen master,
      to the ardent scholar
      and his ardent disciples,
      is you carry the raft everywhere
      but you’ve never floated upon it

      and if you ever do,
      once you reach the other shore,
      can you leave it behind,

      bobbing in the water?

      __________

      THE ZEN MASTER ON THE RAFT II

      perfectly adrift

      __________

      OLD ZEN MASTER

      I never in my life before
      became aware
      egg shells are so light,
      said the Zen master,
      holding the shells of two eggs
      in the palm of one hand.
      Why, they’re almost
      light as a Crayola mark.
      Even when I move my head,
      if I wasn’t looking,
      I doubt I’d know they were there,
      and if this is so, what else
      might I have missed,
      like the tea-kettle whistle
      at the end of the sound of “Yes,”
      low-lying hills in the distance,
      how the sky fits into them
      like one hand pressing
      into another,
      the smell of a cloth bag filled
      with quarters and dimes,
      and at my age, how silly,
      how splendid,
      to still be discovering this.

      __________

      THE FLIPPANT ZEN MASTER

      “The Pastoral,” blurted
      the Zen Master’s student,
      “is past.
      Our reality is Information
      moving at the speed of light.”

      “Oh, go clip your toenails,”
      replied the Zen Master.

      __________

      FRISBEE ZEN MASTER

      It’s like tossing Frisbees, the Zen Master said,
      you grip them
      between your thumb and forefinger,
      supporting the Frisbee
      with three of your other fingers, then
      you cock the wrist and sweep it out. The Frisbee
      spins and sails. It’s beautiful. The principle
      is arcuate vectors and turbulators.
      And when it slows down,
      if you’ve sailed it a long, long way,
      it floats
      into another’s outstretched hands
      just like a koan, don’t you know, transmitted
      over a crowd of disciples
      and perhaps someone leaps up to catch it
      or maybe not, maybe it just falls.

      __________

      FORTUNE COOKIE ZEN MASTER

      It amuses me, he said, to call them
      “Cookies of Fortune.” But then,
      Zen turns everything around,
      doesn’t it? To understand it,
      (although you’ll never understand it
      for if you did, you’d not understand it),
      practice making palindromes,
      did, dad, toot, kayak, radar,
      wet sanitary rat in a stew,
      Do geese see God?
      I’m alas, a salami,

      or turning teacups upside down
      so that Nothing spills out. Stop trying
      to make sense of your life. Yes,
      that would make sense, wouldn’t it?
      About as much sense as fortune cookies,
      sweet crunchy American life.

      __________

      “THE LITTLE HURTS”

      “The little hurts,” the Zen master said,
      “the little puncture wounds,
      pinches, pinpricks, nicks, slight bruises,
      scrapes—how petty
      it is to dwell on them. Some, however,
      build their whole lives upon such insults
      to the body and brain. Row upon row of houses
      resting on pits of snakes and worms
      continually shifting. How restless, how slimy
      it must be to live like that,
      forever hurting, forever seeking retribution,
      validation, revenge. I see their houses
      beside great rivers, their hands and faces
      always pressed to windowpanes,
      the faces looking out between the hands.”

      from #36 - Winter 2011