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      May 31, 2024Go Home Boy Go HomeErik Tschekunow

      It’s in the story of an inmate whose dog
      shows up at the prison and lies at the double
      line of fences. Whenever a rabble
      of prisoners struts out to the yard for rec,
      the sad, lumpy mutt rises, drags its body
      along the chain-link, stroked by the braids
      of tempered metal, and for one hour a day
      he and his master stare at each other
      through sixteen feet of Concertina, fanged
      helixes stacked like hay bales. “Go home, boy.
      Go home. Who did this? Was it Sheila? She left
      you here?” The dog stays for weeks. A guard
      admits to leaving it peanuts and pork rinds.
      Then on a morning the inmate wakes feeling
      fluish and almost skips rec, when he
      goes outside anyways, his dog is gone.
      Down the gravel access road toward the pines
      where the state highway heads north or south, the way
      is blurred, like heat, like dust. “He finally obeyed,”
      the inmate says to himself, though the absence
      catches him like another sentence. He kneels by the fence,
      the hinge of his jaw stiffening, something dense
      but spectral rising into his throat and after
      wiping a wrist across his cracked bottom lip lets out
      a long howl. It lifts but falters
      as he fixes his hashed gaze all the way
      to where he imagines his call dissolves.
      None of the inmates on the yard look, they don’t
      laugh or blast from their wellsprings of derision.
      All seem to have lowered their heads
      as if searching for something delicate
      dropped near their institution boots.

      from #83 – Collaboration

      Erik Tschekunow

      “As is evident in the subject matter of this, I spent five years in a federal prison for an addiction-fueled offense. More than anything else, poetry helped get me through my bid.”