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      March 14, 2021Grandpa’s MixtapeMiguel Barretto Garcia

      The yellow wood of a No. 2 pencil
      found its way into the round mouth
       
      and small tooth of the cassette tape,
      rewinding magnetic memory back
       
      to Side A. The radio cassette player’s
      mouth was hungry of forgetting, that
       
      it was about to bury the recording with
      the newest song played by the local
       
      FM station. The recording began with
      a breath, out from the sill of the lips
       
      and into the reel, a message saddling
      on silk magnet. The unmistakable
       
      sound of an empty room, disturbed
      only by a cough or the clearing of
       
      a throat. The rain outside the room
      trickled into white noise, and out of
       
      the sonar mist was a testing, testing,
      one, two, three, testing coming out
       
      of nowhere, the amorphous sound
      rising from the silhouette of tape,
       
      forming into the shape of my grandpa,
      his distinct baritone voice, walking
       
      from the corner of my eye to the center
      of the living room. He sat there, leaning
       
      his head towards the cassette recorder.
      I could only imagine who grandpa was
       
      imagining singing to. Was it grandma
      or his future kids, or grandkids? My
       
      grandpa was singing the album of
      his life, the kind of Greatest Hits that
       
      no one else has a copy, but me, as if
      the word singular could mean special,
       
      as if secret is I have you to myself, myself
      alone. Air inside the room was a thick
       
      magnetic force, reeling my body into
      the smallness of my childhood, wide-
       
      eyed and wondered. My grandpa
      was large in my imagination, but he
       
      walked me through each question with
      curiosity, that he was himself a child
       
      recording the world through every
      wrinkle and liver spot. If there was
       
      a way for a pencil to spool my grandpa
      back into a present. If I could turn
       
      the cassette far and fast enough, time
      travel would unravel, and my grandpa
       
      would be doing his number live. But
      that is not the sort of physics we live in
       
      this world. We only have the time we
      have, and space? Thousands of cassette
       
      tapes filling dozens of boxes, waiting,
      the body defying its physics through
       
      memory. Each plastic and magnet:
      a muscle, an organ, a touch, a hand
       
      running through my hair, a kiss
      on my forehead, a hand holding my
       
      hand, and I have thousands of them,
      versions of my grandfather as tracks
       
      of Sides A and B that would outlast
      me. I lean my ears closer to the owl-like
       
      cassette player eyes and hear grandpa
      speak, sing, his steps walking towards
       
      the window, watching the rain water
      the backyard. The recorder found its way
       
      close to his chest: a planet hidden among
      light years and bright stars, heart beat
       
      transmitting a message into the future.
      Nat King Cole was on the background
       
      playing You’re My Everything, while my
      grandpa’s baritone voice is a fine strand of
       
      hair swaying on my arms, as if the living
      room was a mixtape played on repeat.

      from Poets Respond

      Miguel Barretto Garcia

      “Indeed, Lou Ottens was the father of mixtapes. Among the memories I had fiddling with the cassette tape are the recordings I shared with my grandfather. He was a beautiful singer, and he continues to live in those mixtapes, and I thank Lou for making my grandpa live in memory.”