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      June 19, 2017Hang Float Burn BuryDavid Miller

      a. Things that hang:
      – Yarcombe Vancouver
      – the gardens of Babylon
      – Ithaca on its rocky perch
      – the morning star
      – at a turn in a stream
      – steelhead trout in their surge congregate
      – like blackberries in the wet heat of July
      – cheesecloth sweating
      – goat milk
      – straw and black streaks in my daughter’s hair
      – the discourse between
      – bow
      – arrow
      – breath
      – glass opening its feathers
      – on impact
      – wheels on a ruptured axle
      – tires from a stainless steel hook
      – in a gym ceiling
      – resting on air like albatrosses
      – her blue-black hair braided down her spine
      – rickety but brilliant theater marquees
      – blood in the neck
      – blood in the eyes, in the tongue
      – lips feet hands
      – the blue, blue head
      – the skin empty of soul
      b. Things that float:
      – Whatever has been drowned
      – light and dust in an empty room
      – bread, apples, cider, gravy
      – my daughter’s arms and legs on the pool’s bright skin
      – uncertain winds and currents
      – the smell of brake fluid and burnt steel
      – smelting tin
      – our trust in God
      – the bottle with the MS, half-blurred by salt
      – a creeping riot of
      – swimmers in a river’s current
      – hair around dieffenbachia
      – the bellies of middle-aged men in summer lakes
      – gossip and its inconsistencies
      – the weight and the chain
      – the song of the sirens
      – alligators with their double-skinned eyes
      – conversations in dreams
      – feathering atop the dusty air
      – suicides and weather balloons
      – public opinion and crises
      – churches, lead, ducks, mothers
      – whatever refuses to stay drowned
      c. Things that burn:
      – Hot Cheetos
      – the sealant around a car gasket
      – a bullet wound
      – the tips of braids while bored in geometry
      – the hills outside La Canada
      – water when my brother boils it
      – Pan Am Flight 102,
      – over the brick-and-shingle houses of Lockerbie
      – smoke in the green Georgia night
      – boiling up from burning tires
      – the ash that drowned Pompeii and Herculaneum
      – the steel joists of the World Trade Center (at varying rates)
      – the morning sky over Sodom and Gomorrah
      – Dido
      – the synagogues on the edge of Sobibor
      – desecrated crosses
      – cattle-brands
      – my daughter’s bones
      – my Soul
      d. Things that are buried:
      – the Soul
      – applause, the sustain of a violoncello, adoration
      – the music of Ma Rainey and Sleepy John Estes
      – the fire in my daughter’s high
      – cheekbones, so high, so crisp
      – the catechism in her smile
      – my first dog, in the sleeping bag he tore apart
      – gray paths through broad hills and
      – the straw-and-black limbs of trees
      – frozen earth and bottles of Yuengling
      – broken cement, splinters of smelt
      – loopholes
      – the cyanotic waters of the Monongahela
      – under feathers of ice
      – my daughter’s laughter as she hung onto Pokemon Go!
      – my daughter’s eyes when fear or exhaustion burned them
      – my daughter’s songs firing up dark January mornings
      – strange fruit of American rhetoric
      – rag torn from Justice’s eyes
      – the Hanging Gardens of Babylon
      – compassion

      from Rattle #55, Spring 2017

      __________

      David Miller: “Another year of teaching Latin, another year I will have to tell my students how to behave among white people at Latin conventions, at the Getty, at plays. It is always difficult to do. I do not know whether I make a difference by doing that. It is like the advice we give our own children to help them survive the world. This poem is a reflection of that uncertainty, of the pain of loss and the ambivalence of time.” (twitter)

      from #55 - Spring 2017

      David Miller

      “Another year of teaching Latin, another year I will have to tell my students how to behave among white people at Latin conventions, at the Getty, at plays. It is always difficult to do. I do not know whether I make a difference by doing that. It is like the advice we give our own children to help them survive the world. This poem is a reflection of that uncertainty, of the pain of loss and the ambivalence of time.”